A deeper look at the grooves pressed into the Basses Loaded LP by (The) Melvins. It’s mind-boggling how such a prolific band can be so under-appreciated. Krist Novoselic of Nirvana fame has said that the Melvins are the only band left standing from the grunge-rock cacophony of the Nineties (take that, Pearl Jam), and even the new kids like Mastodon have gone on the record as saying they’re one of the greatest bands on earth. Of course, the Melvins don’t...
A deeper look at the grooves pressed into the vinyl reissue of the Twin Peaks Original Soundtrack. The current rage of soundtracks on vinyl has definitely contributed to the fun of collecting vinyl. Although there are a lot of companies putting out extraordinary releases, the king of the crop currently has to be the good folks over at Mondo. The attention to detail is simply top notch, with releases that serve to charm in both sound and visuals; absolutely kickass...
A deeper look at the grooves pressed into the vinyl reissue of Hater’s self-titled debut album. I must confess that I had never heard of Hater before Ben Shepherd put out In Deep Owl a couple of years ago. I was really, really taken with that album and had been thrilled at the prospect of taking an interview with him when the opportunity came up; in fact, I jumped at it. It was during that interview when I learned about...
A deeper look at the grooves pressed into the Pick Your Poison split 7” by Control and Harrington Saints. While I happily admit that I appreciate the 7” single as a format, a split 7” is often a much harder sell with me. Why? Often, the focus feels too diverted on a split; the amount of time that each band involved has to leave an impression is very short and splitting focus two ways only makes it that much more...
A deeper look at the grooves pressed into the 10” reissue of the Airplane Tracks EP by The Burdocks. It might seem unbelievable, but perhaps the greatest creative crime that Sloan ever committed was being so good and becoming so popular and casting such a large shadow in the 1990s and early new millennium that they completely eclipsed all of the other bands which were beginning to appear in Canada’s maritime provinces. Really think about it, reader – Thrush Hermit...
A deeper look at the grooves pressed into the Blatant Propaganda LP by The Bar Stool Preachers. It’s pretty incredible how much a band seems to change as soon as people start paying attention to them and their fanbase swells. History is littered with band who seemed not to change for years as they attempted to get legs under them (see Social Distortion, Against Me, Black Flag, Bad Religion and Rise Against – to name only the first which leap...
A deeper look at the grooves pressed into the The Impossible Kid LP by Aesop Rock. I remember the moment that the world of Hip Hop was opened to me. Years ago, I was interviewing Dillinger Four at the Trocadero in Philadelphia, talking to their bass player about music. He said something along the lines of mainstream rap being in a deplorable state; to the effect that standards and quality control didn’t exist anymore – in his opinion. Lucky...
A deeper look at the grooves pressed into The Anti-State War Machine EP by Kriegs Legion. It’s impossible to listen to Kriegs Legion’s new EP and not flash on the crew of bands which came before them who didn’t exactly typify hardcore or punk rock in any manner, but did explode forth with a sound and vision all their own under those banners. Bands of this tradition included names like D.O.A., Cosmic Psychos, Negative Trend and Agnostic Front; a diverse...
A deeper look at the grooves pressed into the Songs For Our Mothers LP by Fat White Family. It doesn’t happen often in the post-CD, post-digital music marketplace but, with Songs For Our Mothers, Fat White Family has proven that creating a satisfying and balanced long-playing vinyl album – with the peaks, valleys and thematic movements which propel the music along smoothly from A-side to B- without being “a formless collection of songs†– is not a lost art...
A deeper look at the grooves pressed into the NØ FUTUR(E) 7” by Garbageface. For the release of his new album, Karol “Garbageface†Orzechowski has decided to challenge the usual methodology and manner in music is released. His way flies in the face of how music has been marketed ever since Napster turned the music business back into a singles-driven enterprise again; while everyone else is digitally distributing singles into the world and hoping they’ll entice those who find them...