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Version:1.0 StartHTML:0000000167 EndHTML:0000005605 StartFragment:0000000484 EndFragment:0000005589 A deeper look at the grooves pressed into the Different Class LP by Pulp.   It’s hard to place Pulp in the Britpop explosion of the 90s. They arguably made a larger impact than Supergrass, they didn’t become the big joke that Oasis became, they didn’t spawn strangely successful offshoots like Blur, and they certainly didn’t redefine music like Radiohead. No, Pulp exists mostly in the static environment of the...

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Friday, 12 June 2015
Vinyl Vlog 084
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A deeper look at the grooves pressed into the 4 colored Essentials LP set by Reducers SF. Looking back, it’s pretty incredible how fertile punk’s creative soil was in the Nineties. Sure – everyone knows the mid-Nineties as being the period which broke punk into the mainstream pop punk and made bands like Lagwagon, Propagandhi, Green Day, NOFX, Offspring (I’ve written this list out several times before) and innumerable others household names and/or institutions who would help shape how punk...

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Monday, 08 June 2015
Vinyl Vlog 083
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A deeper look at the grooved pressed into Round Eye’s debut LP While the debate over which recorded music format is superior (vinyl, CD and digital download, at least for right now, are the top contenders), no one who has heard it will argue against the fact that Round Eye’s debut album was designed specifically to be experienced on vinyl. The hints are actually on the CD too, if you notice; right before “Fear The Consequence” plays on the CD,...

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Sunday, 07 June 2015
Vinyl Vlog 081
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A deeper look at the grooves pressed into the …And Out Come The Wolves (5 x 7” vinyl set) by Rancid. It sounds a little sensationalist to make this declaration but, of the albums which really sparked the punk revival of the 1990s (including – but certainly not limited to – Punk In Drublic by NOFX, Stranger Than Fiction by Bad Religion, Dookie by Green Day and Smash by the Offspring), it was Rancid who ran closest and truest to...

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Wednesday, 27 May 2015
Vinyl Vlog 080
Vinyl Vlog

A deeper look at the grooves pressed into the Dreams From The Factory Floor LP by Louise Distras. The problem with a lot of what is earnestly being marketed as punk rock in the twenty-first century is that much of it is fundamentally flawed: it’s made the way it is because that’s what’s expected.The expectation is that punk songs will come equipped with a confrontational attitude stacked on top of a progression of between three and five chords, and somewhere...

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Wednesday, 20 May 2015
Vinyl Vlog 074
Vinyl Vlog

A deeper look at the grooves pressed into the Citizen Dick RSD-issued Touch Me I’m Dick 7” Freelance journalist and novelist Joshua Foer once opined that “Monotony collapses time; novelty unfolds it. … If you spend your life sitting in a cubicle and passing papers, one day is bound ro blend unmemorably into the next – and disappear.” It might seem unlikely, but Foer’s logic is also applicable to the music industry; to wit, I contend that it I spend...

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Saturday, 18 April 2015
Vinyl Vlog 072
Vinyl Vlog

A deeper look at the grooves pressed into Cassandra Wilson/Billy Holiday’s Record Store Day-issued split single “You Go To My Head” b/w “The Mood That I’m In.” I love the concept of “versus” releases. You know the ones, reader: the releases which pit two artists against each other under fairly limited conditions – be it to reinterpret the opposing artist’s songbook, or simply to compete and see who can make a better, more lasting impression on listeners in a limited...

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Friday, 17 April 2015
Vinyl Vlog 070
Vinyl Vlog

A deeper look at the grooves pressed into the deluxe reissue LP portion of the Manic Street Preachers’ Holy Bible box set. The problem with the Brit-Pop explosion that happened in the 1990s (well, it was a problem for some people – others ate it up with a spoon) is that it was a really pretty, really clean and really sterile-looking solution to the void left in pop when grunge suddenly lost Kurt Cobain in 1994. Everything just seemed to...

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Tuesday, 14 April 2015
Vinyl Vlog 054
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A deeper look at the grooves pressed into the Popular Problems LP by Leonard Cohen. Prior to hearing Popular Problems, I was of the well-founded assumption that Charles Dickens was the man best able to straddle the line between affection and alienation which often sounded or read like someone saying (to update the language a bit), “I love you, but you such.” Granted, many poets, authors and songwriters have framed their work in a similar manner to Dickens or used...

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Tuesday, 24 February 2015