A deeper look at the grooves pressed into the vinyl reissue of the Labyrinth soundtrack by David Bowie and Trevor Jones. While his career was characterized by no small number of unusual events, arguably the greatest concentration of weirdness about David Bowie’s career can be found in the 1980s. Within those ten fateful years, Bowie released albums which have come to be regarded as some of his finest (Let’s Dance was the album which broke the singer into the Top...
A deeper look at the grooves pressed into the “Freeze Me” flexi-disc by Death From Above. It might not really need saying, but listening to the new flexi-disc from Death From Above really reiterates what a creatively fertile period the last few years have been for the group. The appearance of The Physical World in 2013 marked the beginning of a new era for the band; on that album, the group better developed their sound so it functioned well beyond...
A deeper look at the grooves pressed into the Family Hangover LP by Walrus. When one considers Walrus’ debut LP, Family Hangover, the first stumbling block which comes up is where the music came from. As one listens, it quickly becomes easy to pick out little bits of ideas which were obviously originally the work of artists who initially inspired the band and, because those stylistic breadcrumbs are so easy to spot, one will quickly begin to wonder just how...
A deeper look at the grooves pressed into the Vine LP by Jen Gloeckner. Anyone who has ever gone to therapy knows that it can take years to accurately qualify, articulate and compartmentalize feelings like anger, resentment, isolation, love, affection, confusion and emotional unease and then begin to deal with them in a healthy manner. It’s all a process and, in that regard, Jen Gloeckner has arrived miles ahead of the game on her third album, Vine; after having slugged...
A deeper look at the grooves pressed into the Life’s A Garden LP by Worthless. The beauty of psychedelic rock in its purest state is that the music is about art and expression first, and then everything else (be it community, statement-making, even simple performance presentation) comes second. That can mean a psychedelic rock album takes an unwieldy form (check out The Flaming Lips’ album Zaireeka – which requires that four CD players play a different disc simultaneously – for...
A deeper look at the grooves pressed into the Modern Pressure LP by Daniel Romano. If we can all agree that the key to having an enduring career in music lies in an artist’s ability to always have listeners guessing excitedly at what they might have in store next from album to album, there’s no chance that interest in Daniel Romano’s music will wane anytime soon. Since the singer first appeared fronting a hardcore band in 2005, Romano has leapt...
A deeper look at the grooves pressed into the Visuals LP by Mew. Without intending to come off as terribly cynical, it’s rare to be genuinely and truly surprised by by some new music recorded in this current age of formula and digital sameness now present in every quadrant of popular music. Often, it seems as though artists set the tone for what they plan to do on a new release within seconds of its beginning, and the success or...
A deeper look at the grooves pressed into the They Call It Justice 7” by The 45 Adapters. It might sound a little strange at first, but the 45 Adapters and their new 7”, “They Call It Justice,” are coming at the perfect moment in history for the band’s brand of Oi to really get over with audiences. Why? First, a pretty significant portion of the world’s population is good and pissed off with the political climate in the United...
A deeper look at the grooves pressed into the Record Store Day 2017-issued 2×7” set by Alice In Chains. Over the last few years in particular, Record Store Day has really seemed to cater to a “collectible” market over a market wherein fan interest is the focus. That has proven to be a little frustrating; because of it, record stores get glutted by people one day a yearhoping to score something they can resell – not necessarily something they can...
A deeper look at the grooves pressed into the Apostasy LP by Garbageface X Yung Gutted. Anyone who is already familiar with Karol “Garbageface” Orzechowski’s output knows the emcee has a pretty dark and potentially violent disposition (2016’s NØ FUTUR(E) 7” illustrated that really well), but he’s really stepped up his game on Apostasy with the help of NYC producer Yung Gutted. This time the movement is exponentially slower; in print, readers may assume the music is more methodical in...