A deeper look at the grooves pressed into Butthole Surfers’ self-titled 10” EP, released on Capitol Records in 1993. When Butthole Surfers signed with Capitol Records, it really must have seemed like anything was possible. By then, the years of living in a car, touring constantly and basically surviving on a steady diet of nothing were over; the band had unexpectedly broken through. Because they had attained a greater level of mainstream visibility, the band decided to live a little;...
A deeper look at the grooves pressed into the Cartoon Violence LP by Herzog. Did it take me an unreasonably long time to review Herzog’s Cartoon Violence LP? Yes, yes it did – and the reason for that is simple: Cartoon Violence exists as a series of contrasting elements which are all trying to function and/or co-exist...
Steve Gunn Daylight Daylight I just can’t help but make fun of lethargic, precious, and gentle music. I don’t want my music to be loud all the time, but the adoration of “quiet” music is definitely a cult. It’s like that Portlandia sketch with the Battle of the Quiet Bands. I just don’t have patience for that shit, but then I hear Steve Gunn and I go into some serious doubt. His music is definitely in a more serene category,...
A deeper look at the grooves pressed into the Buddha Jabba Momma LP by Chomp. As much as I like the artwork on the front cover (before I heard a note of the music on Buddha Jabba Momma, I was captivated by the cover’s similarity to some of the artwork on the interior of the Plastic Fang LP by Jon Spencer Blues Explosion), I had to remind myself that interesting aesthetics do not make a good album. I also needed...
A deeper look at the grooves pressed into the Hand On Heart LP by Cock Sparrer. While it would be easy for critics to claim that there are a finite number of ways to make an English-sounding or uniquely “Bostonian” punk record (see Dropkick Murphys’ catalogue for a Cliff’s Notes summary of that story so far), it should definitely go to Cock Sparrer’s credit that the band has managed to produce a solid and captivating listen in their Hand On...
A deeper look at the grooves pressed into the Before You Get Broken LP by Guest Directors. It has often been said that a band’s debut album is intended to introduce that band to the world – but their sophomore release is more for the band itself. It might come from a desire to push boundaries or simply to establish that the band in question is capable of doing more than just reproducing the strengths that their debut album presented,...
A deeper look at the grooves pressed into Territories’ Colder Now LP. I waited far, far longer to review this album than I had any right to. The reason I waited to review Territories’ Colder Now LPwas because I wanted the season to match the album cover – because there’s a sense of isolation about it which doesn’t compliment the music, but does compliment the sense of isolation which comes with a positively frigid Canadian winter. Depending upon where you...
A deeper look at the grooves pressed into the Do You Really Wanna Know? LP by Plizzken. I confess that European punk (the stuff from mainland Europe – not from the British Isles) has often been a pretty hard sell, to me. I don’t mean that to come off as a slight or cultural bias, the music is just often hit or miss for me; even going back to albums like The State of Punk To Come and albums by...
A deeper look at the grooves pressed into 45 Adapters’ Unstoppable LP. After having released a series of records of different sizes and speeds since the band formed in 2008 (to date, the band has released six EPs, splits and singles), it’s kind of funny when one realizes that Unstoppable is only the second full-length album which bears 45 Adapters’ name; they just always seem to be working on promoting something, so that their output includes just two full-length albums...
A deeper look at the grooves pressed into the Modify The Sacred LP by Seized Up. Let’s get this out of the way first, because it’s almost never the thing that metal heads like to read: as metallic as Modify The Sacred is, it’s impossible to deny that the album has a sizable punk streak running through it too. From front-to-back, for example, it’s very easy to hear reflections of Keith Morris’ vocal styling in singer Clifford Dinsmore’s vocal delivery....