A deeper look at the grooves pressed into the Stuyedeyed/Birds split 7” single, released on Greenway Records. It’s always kind of incredible how great a gamble a split 7” single release can be for the artists involved. Over the years, lots of bands have made great ones, yes, but there have been an equal or greater number of weak or soft efforts which feel lopsided because either one band or one song is far superior to the other. It’s a...
A deeper look at the grooves pressed into the Self-Contained LP by The Containers. Having grown up and come of age in the Eighties and Nineties (here to fore known as the golden age of tape trading and indie rock), I confess with a little embarrassment and chagrin that I had never heard of The Containers prior to Manufactured Recordings’ vinyl reissue of Self-Contained arriving on my desk, and I have to say that I have no idea how such...
A deeper look at the grooves pressed into the Revolution Radio LP by Green Day. Some smart aleck is going to say that this review is a bit late in coming (yes, Revolution Radio was released fourteen months ago) but that’s part of the point here; Green Day’s twelfth album was touted as a much-needed return to the band’s roots after almost a decade spent releasing concept albums and enormous album trilogies (plus a fourth CD/DVD conglomerate for good measure)....
A deeper look at the grooves pressed into the new Hellcat Records/Pirates Press reissue of the Viking LP by Lars Frederiksen and the Bastards. If the idea that a classic album is defined as one which holds personal meaning for a listener can be taken as factual, then I can say confidently that Lars Frederiksen and the Bastards’ sophomore album, Viking, is one of the most important albums of my life; for me, it is a personal classic. I remember,...
A deeper look at the grooves pressed into the Hellcat Records/Pirates Press reissue of Lars Frederiksen and the Bastards’ self-titled debut album. Those who remember that time period when all the Southern California punk bands who broke through in the early Nineties got huge (like the Offspring, Green Day, NOFX and Rancid) remember what a big deal it was when Lars Frederiksen and the Bastards released their first album in 2001. Granted, they were not the first offshoot group to...
A deeper look at the grooves pressed into the Aluminium LP by Vulture Whale. Sometimes there’s just no way to mistake where a band comes from. In any given case, it might be the singer’s accent or tonality that does it or sometimes it’s just a particular vale or sound inserted somewhere among the instrumental performances, but it’s unmistakably there and listeners know it as soon as they hear it – no matter how potentially intangible it might be. On...
A deeper look at the grooves pressed into the Medicine Mountain LP by Chomper. Every once in a while, a band somehow manages to come along and throw a multitude of easily recognizable sounds into the generic melting pot and then pour out something which is recognizable for those traits as well as coming off as perfectly unique and all the band’s own. That’s precisely what happens on Medicine Mountain, Chomper’s debut album; in just eight tracks, the band (which...
The Bronx V I first saw the Bronx about ten years ago in San Diego opening for Lagwagon. Lead singer Matt Caughtran proudly announced before they came out, “We saw it was going to rain earlier, so we didn’t think the show was going to happen, so we all did a bunch of drugs.” I was intrigued. The Bronx then proceeded to blow me away as they played their set. After that show, of course I looked them up online,...
A deeper look at the grooves pressed into the Live and Loud!! LP by Lars Frederiksen and the Bastards. In this digital age of perfectly pressed, equalized and mastered music, something truly seems to have been lost – particularly from live albums. These days, live albums just seem too contained; because those making the recordings often know exactly how to make and produce one, a lot of the of-its-moment energy which comes together at a concert gets forgotten and, because...
A deeper look at the grooves pressed into the 2LP reissue of He’s the DJ, I’m the Rapper by DJ Jazzy Jeff and the Fresh Prince. It’s funny but, looking back at it now, it’s unbelievable how quickly everything came together for DJ Jazzy Jeff and the Fresh Prince. Before April 1987, no one (well, no one outside of Philadelphia) had any idea who the duo was but, suddenly, Rock The House dropped, as did the smash single “Girls Ain’t...