Rage Against the Machine The Entire Catalog vinyl reissue Let me start off this review by painting a picture of just how important Rage Against the Machine were to my development as a teenager. Growing up in Aruba in the 90s, completely isolated from the world, we craved outside culture. We didn’t have a good idea of what was going on in the cool parts of the world (like the USA), so we’d rely on word of mouth from kids...
A deeper look at the grooves pressed into the Night Guy at The Apocalypse, Profiles of a Rushing Midnight LP by Hamell On Trial. In the spirit of full disclosure, yes -I am a fan of Hamell On Trial. I was totally won over by Ed Hamell when the singer’s eighth album, Tough Love, came out in 2003 and have excitedly checked and weighed) in and given consistently positive coverage to each album that has come along since then. I...
A deeper look at the grooves pressed into the Porterhouse vinyl reissue of the Saturation LP by Urge Overkill. Quick history lesson: By 1992, Urge Overkill had already established itself both in the fairly unforgiving Chicago music scene and on the North American college radio circuit with the help of albums like Americruiser and The Supersonic Storybook. Not only that, the band had cut a fairly striking and peerless image; unlike so many other alt-rock groups who preferred to mix,...
Beach House 7 Photo: turntablelab.com Of all the ridiculous musical genres and subgenres, the one I’ve grown most pleased with is dream-pop. A long time ago, Mike Watt told me that musical genres are just something someone at a record label came up with to make their job easier. I haven’t quite found it to be that, exactly. Genres are important for listeners because it helps us find what we’re looking for. That said, there have been some subgenres so...
A deeper look at the grooves pressed into the Things Change LP by American Aquarium. Usually when I’m reviewing vinyl records, I try to present my thoughts in a linear manner – from front to back, A-side through B-. In my mind, it just makes sense; unlike on CDs (where it’s really easy to jump around from song to song as a listener likes), records play best song-by-song and bands usually go out of their way to take that into...
A deeper look at the grooves pressed into the Karma For Cheap LP by Aaron Lee Tasjan. The single greatest problem from which Karma For Cheap (and it’s auteur, Aaron Lee Tasjan, by extension) suffers is that it’s just too polished and the the seams on it are too air-tight. For that reason, it’s difficult for listeners to not meet the music with more than a little bit of suspicion. This is precisely the same problem from which artists like...
A deeper look at the grooves pressed into The Nude Party’s self-titled album. As one listens to The Nude Party’s self-titled album, it’s instantly easy to pick out some sounds and ideas which may have inspired the music, but not so easy to figure out how all the pieces might have aligned to produce this result. For example, the haunting keyboards which color the songs on The Nude Party sound as though they might have been inspired by Shadowy Men...
A deeper look at the grooves pressed into the “Look Together” LP by Wild Moccasins. In the context of New West Records’ stable of artists, Wild Moccasins stand out as a truly unique entity. Most of the other artists signed to the label have their roots in musical forms and structures linked clearly to rock instrumentation and styling, but Wild Moccasins don’t so much rebel against that paradigm as simply ignore it and try making their own path, without apology....
Hot Snakes Jericho Sirens Listening to this album makes me sad. Let me explain. John Reis’ career is not one that’s always appreciated. I would know, because I’ve come to it late in the game, and it’s one I’m still trying to absorb and get comfortable with. The name Drive Like Jehu gets dropped a lot in musical circles, but honestly, I don’t see what the big deal is. I’ll blame it on the fact that I’m a philistine and...
A deeper look at the grooves pressed into Arthur Buck’s self-titled debut album. Full honesty and disclosure: I’ve been a really big fan of R.E.M. for a really long time and approached Arthur Buck’s self-titled debut album with no small amount of trepidation. I didn’t want to risk sullying my memory of Peter Buck – but it turns out I needn’t have worried. In fact, by crossing Buck’s instantly recognizable guitar tone (which, let’s be honest, helped inspire almost an...