A deeper look at the grooves pressed into the “Price We Pay 7” by Noi!se. A lot of years ago, this guy I know played in a really, really good rock-punk band. For a long time that band had a standing tradition: release a 7” single and go out on tour to promote the release. It was a fairly lucrative practice and, eventually, the band celebrated a milestone anniversary (I can’t remember how many years) by releasing a CD which...
A deeper look at the grooves pressed into the LP + 7” reissue of Peculiar by The Slackers. I remember the first time The Slackers released Peculiar in 2006 (back then, it came our on Hellcat Records). At that time, I was only a few years into working in the music press. I had a pretty good relationship with Epitaph, and they sent me a CD copy of Peculiar for review. Back then, I wasn’t too into ska – I...
A deeper look at the grooves pressed into Territories’ When The Day Is Done 10” EP Work in the press long enough, and eventually one begins to rely on the complications that one finds with a release, because the difficulties in qualifying or quantifying the sound of an album (and the media – for that matter) become the fuel for for what makes that release good or not and why. It’s actually a really easy cheat which, now that I’ve...
A deeper look at the grooves pressed into The Slackers’ 12″ UV digitally printed vinyl single. Ignoring the, “Gee whiz!” quality of The Slackers’ new single as well as the talking point of, “Well, this is a new way of combining digital and analogue formats into one release,” (rather than being pressed, this release is UV digitally printed vinyl) it needs to be pointed...
A deeper look at the grooves pressed into the The Pain, The Blood and The Sword LP by Lion’s Law. There’s a certain comfort which can be found in a record which, while new, sounds familiar. As albums like that play, it can be pretty easy for a listener to sigh as a turntable’s stylus finds its intended groove and each cut seems to spontaneously align and produce an accessible, pleasing sensation for its audience. Now, in the case of...
A deeper look at the grooves pressed into The Drowns’ Under Tension LP. While we could easily start this review of The Drowns’ debut album discussing the disparity between looks (the album cover – which is terrible) and content (the music on the album), let’s just start with this endorsement: no matter how much praise Under Tension receives, it deserves more. There are plenty of flaws in the packaging, but the music is absolutely peerless in its quality. From beginning...
A deeper look at the grooves pressed into the “Watch Your Back” 12” single by Charger. At this point, each member of Rancid’s musical personality has been established in both the annals of punk and pop music as well as in fans’ hearts (Lars Fredericksen is the “streetwise professor,” blasting out poppy street punk which is at home on punk playlists but has a flawless pop heart, Tim Armstrong is the ska side of the band, the band’s drummer has...
A deeper look at the grooves pressed into the Teacher’s Pet 7” single by Ramoms. When Ramoms’ first single (Problem Child) came out last year, I think that I came out both positively and honestly in my review of it, but I also think that I may have inadvertently understated the quality of what I heard. Yes, there was a great, straight out cover of a Ramones song present (“Rockaway Beach”), a great rewrite of a classic Ramones cut (“Blitzkrieg...
A deeper look at the grooves pressed into the “Hold Fast”/”Demons” 12” picture disc single by the Drowns. Ignoring the fact that the very idea of a two-songs-on-one-side, digitally printed twelve-inch single could easily be defined as the height of twenty-first century indulgence (and, potentially, the pinnacle of missing the point from a ‘back to vinyl’ analogue-lovin’ standpoint), it’s awfully difficult to argue against the quality of the two songs which appear on this preview release for...
A deeper look at the grooves pressed into the Crisis Point LP by Subhumans. Mark Twain once said that, in order to truly find one’s way to genuine inspiration, “First, get your facts straight – then distort them at your leisure.” Now forty-one years after they started (thirteen since last the band release a full-length album of new material), it can be assumed that Subhumans learned all their lessons and got all their details aligned because, in listening to Crisis...