A deeper look at the grooves pressed into the Ramones In Love LP by Kepi Ghoulie. No matter how open-minded listeners might be, some albums are simply intent on challenging their audience’s expectations – and Kepi Ghoulie’s Ramones In Love is definitely one of those. First, while the idea of an artist presenting their own interpretations of Ramones songs is not new, the idea of presenting a series of Ramones love songs is decidedly unique. This album marks the first...
A deeper look at the grooves pressed into the “Lost Boys Of Suburbia” b/w “One More Time” split 7” single by The Drowns & Plizzken. It doesn’t feel as though it happens very often, but some releases (and their contents) defy explanation. Like, how does a song appear on a single and nowhere else – particularly when the song in question features such a high quality level? It might not feel like it makes sense, but it happens – and...
A deeper look at the grooves pressed into both the Black Skies EP and the Waiting EP by Bishop’s Green. Bishop’s Green Black Skies EP (Pirates Press Records) As cool as some album covers are (and the cover of the Black Skies EP is definitely very cool), the peril is often that the image on the cover of a record just doesn’t match the music. It could easily be argued that Black Skies falls hard into that trap; with crows...
A deeper look at the grooves pressed into The Slackers’ “New York Berlin” b/w “Tell Them No” 12” one-sided single. I confess that, while the two songs which comprise the new Slackers single are good, solid cuts, I do not understand why this single has been pressed the way it has. First, both “New York Berlin” and “Tell Them No” are perfectly average songs in length – one is almost three and a half minutes long and the other is...
A deeper look at the grooves pressed into the Dumb & In Luv LP by Suzi Moon. After having released two EPs in the last sixteen months, it’s unlikely that fans expected a full-length album to be forthcoming from Suzi Moon – but the even greater surprise is just how incredibly good Dumb & In Luv is. Where the EPs hinted at some solid gutter-rock power, Dumb & In Luv goes a couple of steps further and reveals Moon’s potential...
A deeper look at the grooves pressed into the Animal 12” EP by Suzi Moon. Important point: there are three songs on Suzi Moon’s Animal 12” EP. All three songs appear on both sides of said single so, where most vinyl releases are characterized by the movement from front to back, this single seeks to reprise its progression from one side to the next. That statement is not made as an indictment – it is made as an observation as...
A deeper look at the grooves pressed into the Raising The Roof 12” EP by Booze & Glory. It’s funny how, over time, the purpose of EPs has seemed to change. In the Nineties (read: when I began paying attention), EPs took on a pretty lauded and/or respected position as several such titles came up from the underground . Of course, all things must come...
A deeper look at the grooves pressed into the Lunatics EP by The Drowns. It would be easy enough to curse The Drowns out for what the band has done with the Lunatics EP. Not unlike what innumerable other acts have done, over the years (Hot Water Music, NOFX and John Lennon all leap to mind), The Drowns have elected to take a moment that they’re capable of stretching out from their musical comfort zone (which has tended to stay...
A deeper look at the grooves pressed into the Gotta Give It Up LP by Sweat. On the surface, the cliche that, “Hell hath no fury like a woman scorned” writes itself into any discussion about Gotta Give It Up. Yes – from the opening notes of “Hit & Run,” the opening cut on Gotta Give It Up, Sweat presents itself like a tight and intense unit – an imposing and very metallic entity which also speeds along at a...
A deeper look at the grooves pressed into the Vespa & Londonians 12” EP by Booze & Glory. Remember back in the early aughts when Fearless Records compiled a series of albums which found some genuinely great punk bands covering a multitude of different artists and genres – recasting them all in a punk context? Some of those covers were actually really, really cool (hearing AFI perform Guns N’ Roses’ “My Michelle” was pretty cool, as was Strike Anywhere’s cover...