A deeper look at the grooves pressed into the Animal 12” EP by Suzi Moon. Important point: there are three songs on Suzi Moon’s Animal 12” EP. All three songs appear on both sides of said single so, where most vinyl releases are characterized by the movement from front to back, this single seeks to reprise its progression from one side to the next. That statement is not made as an indictment – it is made as an observation as...
A deeper look at the grooves pressed into the Raising The Roof 12” EP by Booze & Glory. It’s funny how, over time, the purpose of EPs has seemed to change. In the Nineties (read: when I began paying attention), EPs took on a pretty lauded and/or respected position as several such titles came up from the underground . Of course, all things must come...
A deeper look at the grooves pressed into the Lunatics EP by The Drowns. It would be easy enough to curse The Drowns out for what the band has done with the Lunatics EP. Not unlike what innumerable other acts have done, over the years (Hot Water Music, NOFX and John Lennon all leap to mind), The Drowns have elected to take a moment that they’re capable of stretching out from their musical comfort zone (which has tended to stay...
A deeper look at the grooves pressed into the Gotta Give It Up LP by Sweat. On the surface, the cliche that, “Hell hath no fury like a woman scorned” writes itself into any discussion about Gotta Give It Up. Yes – from the opening notes of “Hit & Run,” the opening cut on Gotta Give It Up, Sweat presents itself like a tight and intense unit – an imposing and very metallic entity which also speeds along at a...
A deeper look at the grooves pressed into the Vespa & Londonians 12” EP by Booze & Glory. Remember back in the early aughts when Fearless Records compiled a series of albums which found some genuinely great punk bands covering a multitude of different artists and genres – recasting them all in a punk context? Some of those covers were actually really, really cool (hearing AFI perform Guns N’ Roses’ “My Michelle” was pretty cool, as was Strike Anywhere’s cover...
A deeper look at the grooves pressed into Grade 2’s Graveyard Island: Acoustic Sessions 12” EP. As someone wise once said, “Life is what happens while you’re making other plans,” and no punk band is making the best of a bad situation more than Grade 2 has, lately. The band had to put the promotional efforts behind their Epitaph debut album, 2019’s Graveyard Island, on hold when the CoVid-19 pandemic caused all touring routes to shut down indefinitely a couple...
A deeper look at the grooves pressed into the “Love I Bring” b/w “My Cat is on Prozac” split 7” single by Sic & Mad and The Slackers. There’s little doubt that this review will sound dismissive – such is the most common byproduct of a release which isn’t very good. Now, it’s true that the governing wisdom in the music industry has always been that, “They can’t all be genius,” and that may be true – but basic quality...
A deeper look at the grooves pressed into the “Windowland” / “I Almost Lost You” 12” Digitally-Printed single by The Slackers. It can be fun to write a short review once in a while and, when one addresses The Slackers’ newest single, “Windowland,” it’s impossible to not be brief. Clocking in at less than ten minutes total, the two songs on the single (“I Almost Lost You” is the second cut in the running but, because both songs appear on...
A deeper look at the grooves pressed into the To Victory EP by Lars Frederiksen. After a career spent tirelessly writing, recording and performing music with a celebrated list of bands on an incredible number of releases (to date, that list includes no fewer than forty-five releases recorded with bands including Rancid, Stomper 98, Old Firm Casuals, The transplants, The Bastards and Oxley’s Midnight Runners), it seems genuinely surprising that, only thirty-eight years after he started, Lars Frederiksen has added...
A deeper look at the grooves pressed into Plizzken’s …And Their Paradise Is Full Of Snakes LP. The fact of the matter is that, in punk circles, no one wants to be a “middle of the road” kind of band. Why? Well, as Dwight Eisenhower once said, “The middle of the road is all the usable surface. The extremes, right and left, are in the gutters,” and it is in those gutters (or teetering on the brink of them) where...