Seeing a good opener can be a cathartic experience. Sometimes it’s interesting, and you check them out when you go home, but most of the time it’s forgettable. I can count on one hand when an opener has blown me away, and I don’t even need all my fingers. When I caught the last few songs of Die Spitz at an OFF! show years ago all I could think of is how loud it sounded. Then, watching them put their...

WHO: Alex G WHAT: Headlights WHY: No one does lo-fi moody like Alex G. It would be easy-listening, but Headlights is just weird enough and subversive enough to give it an edge. But then there’s a consistent sweetness in all these songs, and nowhere more evident than on Afterlife. His style becomes more singular with each album and Headlights is the obvious progression for him. We should all be excited about what’s coming next. Listen to it...

A deeper look at the grooves pressed into the “The Beast” b/w “Rebecca” split 7” single by The Drowns and Wonk Unit. Perhaps just to prove how versatile they can be, The Drowns’ “other” recently-released split 7” single (shared this time with Wonk Unit) illustrates just how far the band can stray from their established punk pedigree and steer into something closer to rockabilly without crashing, terribly. Some fans will scoff at such a change and they’re well within their...

A deeper look at the grooves pressed into the “Subculture Rock N’ Roll” b/w “Pleaser” split 7” single by The Drowns and Last Gang. Few things are as potentially harrowing for artists as a split 7” single release. Granted, a 7” can present several potential decisions which could make or break a band on the back of that release, but it’s even harder when a band has just one song to work with AND potentially has to compete with another...

A deeper look at the grooves pressed into Bambara’s Birthmarks LP. Frances Bacon may have famously claimed that, “In order for the light to shine so brightly, the darkness must be present,” but he couldn’t possibly have accounted for the darkness sounding as fine as it does on Birthmarks, Bambara’s fifth studio album. Bands like The Dirty Three might ring bells in comparable quality, but they are all similar only in perfectly abstract terms and prove it as, for the...

I never thought I’d know what Gabby’s Dollhouse is, but there you have it. You can’t control cultural phenomena. I have kids so it’s inescapable. There’s also something to be said for letting your kids be products of their time and not some unrelatable fossils. Do I want my kids to be well-versed in Bugs Bunny and Warner Brothers cartoons? Yes. But, instead they’re really into Gabby’s Dollhouse, Kpop Demon Hunters, and Pokemon. That last one has kind of bridged...

Bloodshot Bill So Fed Up (Goner Records) The moment I first saw Bloodshot Bill will forever be burned into both my eyeballs and my memory. It was at the Middle East in Cambridge while waiting for the Jon Spencer Blues Explosion to go on. And here comes this guy, wearing a robe, hair slicked back, armed with nothing but a guitar, bass drum and hi hat. What followed was thirty minutes of raging thunder honky tonk country music powered by...

WHO: Pulp WHAT: More WHY: I should have known my love for Pulp runs too deep for this album not be one of my highlights of the year. I thought it was just OK at first, but the more I listen to it (and I mean REALLY listen), the more I started appreciating what Jarvis was cooking. More sounds distinctly Brit-Pop, which now is just rock with pop tendencies. This is a more grown-up Pulp: interested in appreciating and loving...

A deeper look at the grooves pressed into the Jealous Butcher reissue of the Meaningless LP by Jon Brion. Sometimes, as good as a record might be, it just cannot buy a break. Take the Jealous Butcher reissue of Jon Brion’s Meaningless LP, for example; even a cursory listen effortlessly illustrates the album’s power pop perfection but, released as it was alongside albums like Gorillaz’ self-titled debut, Ani DiFranco’a Revelling/Reckoning, Sum 41’s All Killer, No Filler and Exciter by Depeche...

Superman I can’t believe it took 10 years of underwhelming, banal, trite superhero movies for people to finally realize that they’re not really worth watching. I get it: Marvel and DC are gonna keep pumping out shitty movie after shitty movie as long as people will watch them, so in some respects, the public is to blame. If you’re watching these movies because there’s nothing else out that everyone can agree to see, I get it. If you’re watching...