ARTIST: Pavement DATE: 12-04-06 REVIEW BY: Casey Lombardo ALBUM: Wowee Zowee: Sordid Sentinels Edition LABEL: Matador Records Now Playing: “Grounded” from Wowee Zowee Ah, sweet Wowee Zowee. The difficult third album. The one that true blue Pavement-philes derive the greatest pleasure in championing: it’s neither the definitive classic (Slanted & Enchanted) as deemed by establishment rock journos nor the beloved-by-girlfriends, 120 Minutes mainstay (Crooked Rain, Crooked Rain). No, with its mixture of kaleidoscopic songwriting...
If turning something old into something new is what’s going on in music right now, then Toronto’s k-os is the man. His third record since 2003, and first for new label Virgin, clearly puts him as one of the most creative and talented musicians and producers in the game right now. The first track off 2007’s Atlantis: Hymns for Disco, “Electrik Heat – The Seekwill,†is yet another take on the “Funky Drummer†break, but there’s homage and a fresh...
“The original blueprint was to combine Carl Craig or early Warp records sounds with that of German groups like Kraftwerk and CAN,†explains David Best of UK’s newest innovation, Fujiya & Miyagi, about their 2007 release Transparent Things. “I like the fact that we can incorporate different styles into our music and it hopefully still sounds like us.†From the first note on “Ankle Injuries,†your ears perk up like when you’re driving down the freeway and you hear a...
How White Flight is a solo project is beyond any sort of musical comprehension. The “project†rivals any Beck or Arcade Fire record for its imagination and pure listenability. White Flight is Justin Roelofs of Lawrence, Kansas, where he says “is a place where the conditioning is put on an individual in a very heavy way.†After taking a few rides on the White Flight, perhaps rural Kansas isn’t such a bad place to be conditioned. The album is a...
UK’s own Stanton Warriors—Dominic Butler & Mark Yardley—got the invite from the Fabric folks to not only play the club, but to record the 30th installment of FabricLive for the series. You can say that’s quite an honor, but you can also say that the duo deserves the hell out of it. For the past 8 years, Stanton Warriors have been twisting and crafting beats to get people to dance hard and have a blast doing it. This mix might...
Song for song covers of albums tend to be a pretty lame affair. Every once in a while, someone knocks out an all star Beatles re-enactment and effectively flattens it of any spirit. Which is why it is practically startling just how good this track-for-track version of Harry Nilsson’s Pussycats is. Why does it work? Because this notorious album, (originally half sung in drunk-speak with John Lennon), was never very good to begin with. What people expected to be a...
After making the leap from indie to major, the Atlanta-based metal band Mastodon release their long-awaited third album Blood Mountain. Not many bands have the skill to evolve and encapsulate an entire ideology of metal from one album to the next. The first two Mastodon records—2002’s Remission and 2004’s Leviathan—were thunderous and venomous, while Blood Mountain seems to have a little more groove. It’s still heavy enough to rip paint from the walls, but it’s just not as ominous. It’s...
Enlisting the who’s who of hip-hop, such as Common, Guilty Simpson, Black Thought and more, Dilla drops the beats and the flow comes natural. As far today’s hip-hop goes, The Shining does exactly that—shine—like a bright star guiding you through the crunk-filled crap clogging the airwaves. This is as real as it gets. And as the sample on “Baby” expresses, “How do I feel about radio hip-hop? I think it’s whack. Most of the shit they play is straight garbage.”...
The Long Winters aren’t necessarily my cup of tea but that won’t stop me from acknowledging that their new album Putting The Days To Bed is pretty good. After going through nearly a dozen crappy press kits, hearing a CD with actual songs and coherent lyrics and good musicianship felt like a gift. The songs themselves are like a nouveaux Americana sound, more filled out instrumentation-wise than folk but as conversational and personable as it. At times, the album definitely...
The only bummer about this record is having to type the word “Mistake” four times in a row when you want to reference the title, otherwise this electropop disc is a lighthearted bit of magic. It’s the kind of album that lures you in with its whimsical songs then you check the notes and see collaborators like John Tejada, Jenny Lewis and artist Geoffrey McFettridge Then you read a little further and go, “Oh, it’s Jimmy Tamborello…” who most people...