A deeper look at the grooves pressed into the Monsters LP by Tom Odell. When it comes to Tom Odell’s fourth album, Monsters, it’s very likely that listeners will find themselves wondering if context does indeed inform musical creation, to a degree. The reason for that is simple: as soon as a stylus sinks into the A-side of Monsters and “Numb” opens it, an image of Ed Kowalczyk (the once-and-again singer of York, PA’s Live – for the unfamiliar) in...
A deeper look at the grooves pressed into the Culture Shock Treatment LP by Round Eye. It may have taken a while for the band to finally get all the paperwork signed and all of their distribution ducks in a row (technically, Culture Shock Treatment was completed in 2020 and Paper + Plastick Records released it digitally late last year – but then everything got problematic) but, happily, everything has come together and Round Eye’s fourth album has finally been...
A deeper look at the grooves pressed into NEEDLES//PINS’ self-titled album. There is something particularly special about self-titled albums – the unspoken rule is that, when a band puts its name on an album like that, it is intended to exemplify just exactly who that group is at its core. A self-titled album is a statement of a band’s personality as well as a statement of intent; bands always stand behind their output – even if only for the moment...
A deeper look at the grooves pressed into the Confines Of Life LP by Neighborhood Brats. I confess that I spent most of my first play through Confines Of Life, Neighborhood Brats’ third full-length album (and my first exposure to the band), just trying to figure out where to start with it. Somehow, it just wasn’t easy to effectively catch or contain the band; from note one of “Who Took The Rain” (which opens the album’s A-side), the band is...
A deeper look at the grooves pressed into the Tea Party Revenge Porn LP by Jello Biafra and the Guantanamo School of Medicine. Ignoring the fact that Jello Biafra and the Guantanamo School of Medicine really missed the opportunity to address the activities of the Trump administration and of Republicans in general (seriously – there was no new music from the band between 2014 and 2020 – how the hell did that happen?), it’s impossible to ignore the value of...
A deeper look at the grooves pressed into Blood Lemon’s self-titled debut album. The beauty of great music – I mean truly great and timeless music – is that while listeners will feel as though they can easily pick out aspects of what they’re hearing and place it among other excellent or classic works, they’ll also breathlessly enthuse about how original that album is too. Listening to Blood Lemon’s self-titled debut album is just exactly like that; from note one,...
A deeper look at the grooves pressed into the new craft pressing reissue of the Creatures For Awhile LP by Personality Crisis. Things like this get said a lot but, in this case, there is actually verifiable proof: while they were working, Winnipeg, Manitoba-based punk band Personality Crisis were in a league of their own. Granted, the band was not around for very long (Personality Crisis formed in 1979 and ran until 1984) and Creatures For Awhile was their only...
A deeper look at the grooves pressed into Pop Evil’s Versatile LP. Okay, this first observation of what Pop Evil is offering with their sixth album, Versatile, doesn’t actually have anything to do with the music pressed into the vinyl, but it would be easy to extrapolate an impression of the merits of this album, how it’s presented and the potential difference between “how it’s presented” and “what you get” from it. On the (surprisingly large) hype sticker which adorns...
A deeper look at the grooves pressed into the Shirushi LP by Teke::Teke. Without question, Teke::Teke is a creature completely in its own quadrant of the pop diaspora. Does that mean that everything about their new album, Shirushi, stands completely separate from everything else in pop? Certainly not – there’s no question that it’s possible to pick out sounds and ideas which could be associated with film score composer Neal Hefti (who composed the iconic Batman theme in 1966) as...
A deeper look at the grooves pressed into the 4LP reissue of Since I Left You by The Avalanches. While I have serious reservations about a reissue which features enough remixes to occupy half of the medium into which the title is pressed (the 4LP reissue of Since I Left You presents the album pressed into two LPs, and features enough remixes to fill another two LPs), there is absolutely no way to deny the influence of The Avalanches’ first...