A deeper look at the grooves pressed into the Voodoo Rhythm Records Label Compilation Vol. 5 LP. I confess that label compilations have never been my favorite thing. Not that I’m definitively against the form (I have heard some good comps over the years, and labels like Sub Pop, Killrockstars, Epitaph, Fat Wreck Chords and Pirates Press have a longstanding history of having produced some pretty great ones), it’s just that many of the compilations I’ve heard (and this includes...
A deeper look at the grooves pressed into the 3LPs in the Acid Box by Acid. There’s no question that bands have come up with some pretty unusual items to include with their albums and/or box sets in the twenty-first century, but Acid – the band formed by Jeff Hassay and Imaad Wasif (Wasif – the guitarist who filled in for James Iha in the Smashing Pumpkins in the Nineties, formed The New Folk Implosion with Lou Barlow and collaborated...
A deeper look at the grooves pressed into the I Am Alive, But Only If You Say I Am LP by Long Range Hustle. While the nature of the album’s title seems inherently soft, on its face (most bands want to exclaim, “We are here,” but the title of Long Range Hustle’s sophomore full-length album seems to ask for the validation that most other bands just claim), there’s no question that I Am Alive, But Only If You Say I...
A deeper look at the grooves pressed into TK and The Holy Know Nothings’ The Incredible Heat Machine LP. It isn’t always easy for this writer to get into country music (there often has to be a “alt-country” plank in the floor to make it easier to enter on), but it didn’t take me long to find my way to relishing the music on The Incredible Heat Machine – TK and The Holy Know Nothings’ sophomore full-length album. From note...
A deeper look at the grooves pressed into the Vespa & Londonians 12” EP by Booze & Glory. Remember back in the early aughts when Fearless Records compiled a series of albums which found some genuinely great punk bands covering a multitude of different artists and genres – recasting them all in a punk context? Some of those covers were actually really, really cool (hearing AFI perform Guns N’ Roses’ “My Michelle” was pretty cool, as was Strike Anywhere’s cover...
A deeper look at the grooves pressed into Grade 2’s Graveyard Island: Acoustic Sessions 12” EP. As someone wise once said, “Life is what happens while you’re making other plans,” and no punk band is making the best of a bad situation more than Grade 2 has, lately. The band had to put the promotional efforts behind their Epitaph debut album, 2019’s Graveyard Island, on hold when the CoVid-19 pandemic caused all touring routes to shut down indefinitely a couple...
A deeper look at the grooves pressed into the “Windowland” / “I Almost Lost You” 12” Digitally-Printed single by The Slackers. It can be fun to write a short review once in a while and, when one addresses The Slackers’ newest single, “Windowland,” it’s impossible to not be brief. Clocking in at less than ten minutes total, the two songs on the single (“I Almost Lost You” is the second cut in the running but, because both songs appear on...
A deeper look at the grooves pressed into the To Victory EP by Lars Frederiksen. After a career spent tirelessly writing, recording and performing music with a celebrated list of bands on an incredible number of releases (to date, that list includes no fewer than forty-five releases recorded with bands including Rancid, Stomper 98, Old Firm Casuals, The transplants, The Bastards and Oxley’s Midnight Runners), it seems genuinely surprising that, only thirty-eight years after he started, Lars Frederiksen has added...
A deeper look at the grooves pressed into the Digital Age of Rome LP by T. Hardy Morris. It’s weird to think how tumultuous a year 2020 was, and how that tumult was reflected in the music which was released at the time. Even if a band didn’t actually have a political streak in their hair or bone in their body, conflict in the times seemed to appear in the music. Now, 2021 has had its share of rough running...
A deeper look at the grooves pressed into Plizzken’s …And Their Paradise Is Full Of Snakes LP. The fact of the matter is that, in punk circles, no one wants to be a “middle of the road” kind of band. Why? Well, as Dwight Eisenhower once said, “The middle of the road is all the usable surface. The extremes, right and left, are in the gutters,” and it is in those gutters (or teetering on the brink of them) where...