A deeper look at the grooves pressed into the “Goodbye Love” LP by Dirty Fences. After taking four years to let their sound season with the help of regular touring and new releases (it’s really easy to chart the development Dirty Fences has undergone between their debut album, Too High To Kross, and their sophomore effort, Full Tramp), there’s no question in listening to “Goodbye Love” that the band has arrived and are ready to take over the world. This...
A deeper look at the grooves pressed into the Bubblegum Brainwaves LP by Weird Owl Weird Owl is a genuine anomaly in the music industry in several ways: since forming in 2004, the group has not let anything – not lineup changes, not label changes, not changes in focus or sound – deter them from keeping a consistent release schedule. The band’s fifth full-length (sixth release) finds the band nailing a genuine and true presentation of psychedelic rock – that...
A deeper look at the grooves pressed into the Full Circle split LP by Round Eye and Libyan Hit Squad. After I discovered Round Eye with the help of the band’s self-titled LP a couple of years ago, I was hooked. Like a fan of any band, I began singing the group’s praises to anyone who would listen; I talked about the band, I wrote about them and I listened to that first album constantly. I loved it – I...
A deeper look at the grooves pressed into This Means War’s self-titled 10” EP. The catch, when it comes to trying to be in a good melodic hardcore band, is that trying to navigate the waters of punk rock is fraught with risk because the region is so over-populated. Unfortunately, there are lots of “melodic hardcore” bands which aren’t particularly melodic (read: the singer can’t carry a tune on his back) and aren’t exactly poster boys for hardcore either, for...
A deeper look at the grooves pressed into the Mid-Century Sounds – Deep Cuts From The Desert 2LP compilation. It might not be the first location which comes to mind when one thinks of “music hot spots” (and there is some irony in saying that – believe me), but those in the know are well aware of just how rich and the artistic soil is in the state of Arizona. Arizona was, of course, the birthplace of such grand musical...
A deeper look at the grooves pressed into the Kids In The Street LP by Justin Townes Earle. After being toasted first and then either critically maligned or flat out ignored for a little while thereafter, Justin Townes Earle has made a sound on his seventh album (first for New West Records) that any critic worth his sand simply cannot ignore. After all the hard luck, Earle had some addiction issues and he has walked on the wrong side of...
A deeper look at the grooves pressed into the Visions LP by Able Baker Fox. The first thing that Visions, Able Baker Fox’s first album in ten years, proves is that even if a type of music has fallen from popular fashion in recent years, it can still re-emerge sounding both fantastic and timely if there’s passion powering it. Right off, as soon as “Purple Mountains”kicks the doors open on the A-side of Visions, listeners who once felt a genuine...
A deeper look at the grooves pressed into the Everything All At Once LP by Birds. It might sound contrived to someone who has yet to experience it themselves, but the idea that great music is capable of moving a listener spiritually and emotionally is a very real thing. On the right day, the first listen to a record can excite a listener, amaze them, inspire them, hook them and drag them to places that it’s possible they didn’t realize...
A deeper look at the grooves pressed into the 12” Razor Stomp EP by Suede Razors. It might sound weird to say, but it’s about time Suede Razors got around to releasing more than just two songs at a time. To date, Bay area bovver band Suede Razors have managed to build a shockingly devoted following on the srength of a succession of seven-inch singles (see “Boys Night Out” and “Here She Comes” – both of which are backed by...
A deeper look at the grooves pressed into the So It Is LP by the Preservation Hall Jazz Band. I must confess that, after having listened to music on a daily basis for three decades (first as a fan, then as a critic and a fan), I have grown cynical and hypercritical to jazz. The reason for that is pretty simple: I believe that jazz was once a cutting edge form which puahsed the possibilities of time, rhythm, meter, intonation,...