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Vinyl Vlog 350
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A deeper look at the grooves pressed into the Karma For Cheap LP by Aaron Lee Tasjan. The single greatest problem from which Karma For Cheap (and it’s auteur, Aaron Lee Tasjan, by extension) suffers is that it’s just too polished and the the seams on it are too air-tight. For that reason, it’s difficult for listeners to not meet the music with more than a little bit of suspicion. This is precisely the same problem from which artists like...

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Thursday, 20 September 2018
Vinyl Vlog 349
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A deeper look at the grooves pressed into The Nude Party’s self-titled album. As one listens to The Nude Party’s self-titled album, it’s instantly easy to pick out some sounds and ideas which may have inspired the music, but not so easy to figure out how all the pieces might have aligned to produce this result. For example, the haunting keyboards which color the songs on The Nude Party sound as though they might have been inspired by Shadowy Men...

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Monday, 17 September 2018
Vinyl Vlog 348
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A deeper look at the grooves pressed into the “Look Together” LP by Wild Moccasins. In the context of New West Records’ stable of artists, Wild Moccasins stand out as a truly unique entity. Most of the other artists signed to the label have their roots in musical forms and structures linked clearly to rock instrumentation and styling, but Wild Moccasins don’t so much rebel against that paradigm as simply ignore it and try making their own path, without apology....

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Thursday, 13 September 2018
Vinyl Vlog 346
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A deeper look at the grooves pressed into Arthur Buck’s self-titled debut album. Full honesty and disclosure: I’ve been a really big fan of R.E.M. for a really long time and approached Arthur Buck’s self-titled debut album with no small amount of trepidation. I didn’t want to risk sullying my memory of Peter Buck – but it turns out I needn’t have worried. In fact, by crossing Buck’s instantly recognizable guitar tone (which, let’s be honest, helped inspire almost an...

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Wednesday, 05 September 2018
Vinyl Vlog 345
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A deeper look at the grooves pressed into the “Just Business” LP by Bass Drum of Death. Even upon one’s first play through Bass Drum of Death’s fourth album, listeners will quickly be able to note that its title is a complete fucking misnomer. Nothing about this album is “Just Business”; it’s impossible to not take this music personally because it is that good and does mark a spectacular potential turning point for the band. Simply put, “Just Business” rocks...

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Sunday, 02 September 2018
Vinyl Vlog 344
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A deeper look at the grooves pressed into the Goodbye Sunshine Hello Nighttime LP by Family Of The Year. It’s funny how, as similar to one another as every Family Of The Year has been to date, Goodbye Sunshine Hello Nighttime feels like a significant departure and/or move forward for the band. That Goodbye Sunshine Hello Nighttime is the group’s first album for Reprise after enjoying a celebrated 2LP+1EP stretch at Nettwerk is irrelevant – Family Of The Year has...

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Sunday, 26 August 2018
Vinyl Vlog 341
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A deeper look at the grooves pressed into the The Old New Me / Times Like This 2LP reissue by Slim Dunlap. Of course, after the collapse, crash and burn of The Replacements in 1991, it was almost instantly hoped that somebody in the band would begin producing more music but nobody looked at Slim Dunlap to be the first one out of the gate. Dunlap was, after all, the replacement guitarist in The Replacements – that was the joke...

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Sunday, 05 August 2018
Vinyl Vlog 339
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A deeper look at the grooves pressed into The Flaming Lips’ Greatest Hits Volume 1 LP. As a general rule, I must confess that Best-Of compilations seldom thrill me. While the odd set does prove to be the rule’s exception (like Nirvana’s black album, the set that Morphine released several years ago, ChangesoneBowie, Hot Rocks and All For Nothing/Nothing For All turned out to all be great sets) and which does present the band in question at its best, most...

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Tuesday, 24 July 2018
Vinyl Vlog 338
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The funny thing about punk and hardcore bands has always seemed to be that, no matter how caustic they may have sounded when listeners first began paying attention, the desire to get louder/harder/more aggressive as soon as MORE people begin listening to them is nearly immediate. A perfect example of this tradition can be found in the recorded output of Vancouver’s rising stars NEEDS; upon first appearing with their self-titled album in 2015, the band shattered expectations by delivering a...

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Friday, 20 July 2018
Vinyl Vlog 337
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A deeper look at the grooves pressed into Booze & Glory’s 12” die-cut “London Skinhead Crew” single. Rare is the single which features the better of two tracks on its B-side, but such is undeniably the case when it comes to Booze & Glory’s “London Skinhead Crew” 12” single. This time out, the London-based punk band unlaces its collective boots a bit and presents a reggae-infused impression of their excellent call-to-arms anthem, “London Skinhead Crew” before going ahead and presenting...

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Monday, 02 July 2018