A deeper look at the grooves pressed into the “Just Business” LP by Bass Drum of Death. Even upon one’s first play through Bass Drum of Death’s fourth album, listeners will quickly be able to note that its title is a complete fucking misnomer. Nothing about this album is “Just Business”; it’s impossible to not take this music personally because it is that good and does mark a spectacular potential turning point for the band. Simply put, “Just Business” rocks...
A deeper look at the grooves pressed into the Goodbye Sunshine Hello Nighttime LP by Family Of The Year. It’s funny how, as similar to one another as every Family Of The Year has been to date, Goodbye Sunshine Hello Nighttime feels like a significant departure and/or move forward for the band. That Goodbye Sunshine Hello Nighttime is the group’s first album for Reprise after enjoying a celebrated 2LP+1EP stretch at Nettwerk is irrelevant – Family Of The Year has...
A deeper look at the grooves pressed into the The Old New Me / Times Like This 2LP reissue by Slim Dunlap. Of course, after the collapse, crash and burn of The Replacements in 1991, it was almost instantly hoped that somebody in the band would begin producing more music but nobody looked at Slim Dunlap to be the first one out of the gate. Dunlap was, after all, the replacement guitarist in The Replacements – that was the joke...
A deeper look at the grooves pressed into The Flaming Lips’ Greatest Hits Volume 1 LP. As a general rule, I must confess that Best-Of compilations seldom thrill me. While the odd set does prove to be the rule’s exception (like Nirvana’s black album, the set that Morphine released several years ago, ChangesoneBowie, Hot Rocks and All For Nothing/Nothing For All turned out to all be great sets) and which does present the band in question at its best, most...
The funny thing about punk and hardcore bands has always seemed to be that, no matter how caustic they may have sounded when listeners first began paying attention, the desire to get louder/harder/more aggressive as soon as MORE people begin listening to them is nearly immediate. A perfect example of this tradition can be found in the recorded output of Vancouver’s rising stars NEEDS; upon first appearing with their self-titled album in 2015, the band shattered expectations by delivering a...
A deeper look at the grooves pressed into Booze & Glory’s 12” die-cut “London Skinhead Crew” single. Rare is the single which features the better of two tracks on its B-side, but such is undeniably the case when it comes to Booze & Glory’s “London Skinhead Crew” 12” single. This time out, the London-based punk band unlaces its collective boots a bit and presents a reggae-infused impression of their excellent call-to-arms anthem, “London Skinhead Crew” before going ahead and presenting...
A deeper look at the grooves pressed into the You’re Not Alone 2LP by Andrew W.K. An epiphany: since first appearing on the pop music radar in 2001 with the release of his debut album, I Get Wet, Andrew Wilkes-Krier has chased the idea and image of a perfect party as well as producing a genuinely kinetic soundtrack for such an event with little thematic deviation (obvious exception being the piano-focused, instrumental album which appeared in 2009, 55 Cadillac) –...
A deeper look at the grooves pressed into the Go Farther In Lightness 2LP by Gang Of Youths. For the nearly half-century since the genre’s inception now, one of the few steadfast foundations upon which punk rock has stood has been nihilism. Consistently, the spirit of punk has been one of “Fuck it all – strip the music down to the barest essentials and get emotionally dark and bleak – at least that way we’ll all beat the world at...
A deeper look at the grooves pressed into Vamos’ 1, 2, 3 LP. The problem with every great music revival is that, as energizing and exciting as it might be, there’s a certain safety and security in knowing that the ideas involved have worked before and can work again in a walk – if enough people believe in it. Such thought processes have worked well several times over in the last twenty-five years, and it would be easy to figure...
A deeper look at the grooves pressed into the This American Blues LP by Ford Madox Ford. Remember a couple of decades ago when, against some fairly long odds, The Blasters managed to cross-wire punk rock and Americana/roots music? The results were pretty cool – the group actually did manage to break onto the popular radar for a minute (with some help from Quentin Tarantino and the soundtrack from From Dusk Til Dawn), but basically remained pretty niche because punk...