Mike Watt Ball-Hog or Tugboat? The juggernaut that is Mike Watt hasn’t always been the unstoppable force we know him as now. The death of his best friend and Minutemen comrade D. Boon made him a broken man, pondering what was next for him. On the documentary We Jam Econo, Watt chokes up when he thinks about D. Boon’s death. “That was a tough day for Watt,” he says. Mike Watt has certainly come a long way since his debut...
A deeper look at the grooves pressed into the Head Carrier LP by The Pixies. In music history, there have only been a few bands who have been able to make a truly great “petty rock,” “grudge rock” or “revenge rock” record (some might say Pink Floyd have done it, it could be debated if Smashing Pumpkins did it) but the Pixies have definitely added their name to that tradition with their sixth album, Head Carrier. As is already a...
A deeper look at the grooves pressed into Stadium Way’s self-titled 7” EP. While the idea of the members of punk bands starting side projects in order to express ideas which won’t fit the form of their main band is not a new one, few side projects in recent memory are quite as compelling as Stadium Way. Formed by Matt Henson and Kenny Dirkes as a getaway from their duties as bassist/singer and drummer in rough housing punk band Noi!SE,...
A deeper look at the grooves pressed into the Thirtieth Anniversary, Legacy Celebrates edition of the Raising Hell LP by Run-D.M.C. Without attempting to get too colorful or indulgent about it, Run-D.M.C.’s third album, Raising Hell, is one of the most important and influential albums to come out of the second half of the twentieth century. That fact is beyond dispute; it was Raising Hell which really got producer Rick Rubin noticed by a whole crew of hip tastemakers when...
A deeper look at the grooves pressed into the Twentieth Anniversary 2LP reissue of Bringing Down The Horse by The Wallflowers. It might not have been the single most obvious thing, but those who remember the times during which The Wallflowers released their sophomore album know the world was a very strange place from an artistic standpoint. At the time (1996), the departure of Kurt Cobain and Nirvana had left an enormous cultural hole that many sounds and bands attempted...
A deeper look at the grooves pressed into the Exit Stencil reissue of the Sings Blues and Hymns LP by Cat-Iron. In my life, I have had three perception-altering experiences with the blues. The first was when I heard Howlin’ Wolf; when I first heard the moans and growls which came off songs like “Smokestack Lightning,” it rattled me to the core and hooked me with the inherent danger of it. The second time the blues changed my life was...
A deeper look at the grooves pressed into the Citizen Of Glass LP by Agnes Obel. As one listens to Agnes Obel’s third album, Citizen Of Glass, it quickly becomes apparent that it’s only a matter of time. The first couple of albums Obel released really only set a scene and made introductions for the artist – now though, the inevitability that she WILL be the next fringe superstar – like Bowie, like Bjork and like Tom Waits – is...
A deeper look at the grooves pressed into the For The Kids EP by Baby In Vain. Some self-important critic somewhere will review Baby In Vain’s first EP and say they saw it coming. Over the last couple of years, bands like Dilly Dally, Like A Motorcycle and Ex Hex have all come along and resurfaced the road which once traced the way between hardcore, metal and grunge and also renewed interest in hearing strong, distinct female creative voices. Call...
A deeper look at the grooves pressed into the Ready Take One LP by Erroll Garner. What do critics really know about jazz? Such was the first question I found myself asking as I wound my way through Popmatters and Jazzwax looking at longer-lead reviews of Ready Take One. Complaints about Martha Glaser’s production styling and the looseness of pianist Erroll Garner’s performances were commonplace, but that really strengthened my resolve to listen closely; any number of things could have...
A deeper look at the grooves pressed into the Record Store Day Exclusive Release pressing of Alice In Chains’ Live Facelift 12” EP. While readers may be familiar with parts of Alice In Chains’ new Black Friday/Record Store Day release, Live Facelift, it’s nearly guaranteed that they don’t know the whole thing. They may know some of the songs – like the performance of “It Ain’t Like That” because it was the song which was playing in the background as...