A deeper look at the grooves pressed into the vinyl reissue of Hater’s self-titled debut album. I must confess that I had never heard of Hater before Ben Shepherd put out In Deep Owl a couple of years ago. I was really, really taken with that album and had been thrilled at the prospect of taking an interview with him when the opportunity came up; in fact, I jumped at it. It was during that interview when I learned about...
A deeper look at the grooves pressed into the 10” reissue of the Airplane Tracks EP by The Burdocks. It might seem unbelievable, but perhaps the greatest creative crime that Sloan ever committed was being so good and becoming so popular and casting such a large shadow in the 1990s and early new millennium that they completely eclipsed all of the other bands which were beginning to appear in Canada’s maritime provinces. Really think about it, reader – Thrush Hermit...
A deeper look at the grooves pressed into the Blatant Propaganda LP by The Bar Stool Preachers. It’s pretty incredible how much a band seems to change as soon as people start paying attention to them and their fanbase swells. History is littered with band who seemed not to change for years as they attempted to get legs under them (see Social Distortion, Against Me, Black Flag, Bad Religion and Rise Against – to name only the first which leap...
A deeper look at the grooves pressed into the The Impossible Kid LP by Aesop Rock. I remember the moment that the world of Hip Hop was opened to me. Years ago, I was interviewing Dillinger Four at the Trocadero in Philadelphia, talking to their bass player about music. He said something along the lines of mainstream rap being in a deplorable state; to the effect that standards and quality control didn’t exist anymore – in his opinion. Lucky...
A deeper look at the grooves pressed into The Anti-State War Machine EP by Kriegs Legion. It’s impossible to listen to Kriegs Legion’s new EP and not flash on the crew of bands which came before them who didn’t exactly typify hardcore or punk rock in any manner, but did explode forth with a sound and vision all their own under those banners. Bands of this tradition included names like D.O.A., Cosmic Psychos, Negative Trend and Agnostic Front; a diverse...
A deeper look at the grooves pressed into the Songs For Our Mothers LP by Fat White Family. It doesn’t happen often in the post-CD, post-digital music marketplace but, with Songs For Our Mothers, Fat White Family has proven that creating a satisfying and balanced long-playing vinyl album – with the peaks, valleys and thematic movements which propel the music along smoothly from A-side to B- without being “a formless collection of songs†– is not a lost art...
A deeper look at the grooves pressed into the NØ FUTUR(E) 7” by Garbageface. For the release of his new album, Karol “Garbageface†Orzechowski has decided to challenge the usual methodology and manner in music is released. His way flies in the face of how music has been marketed ever since Napster turned the music business back into a singles-driven enterprise again; while everyone else is digitally distributing singles into the world and hoping they’ll entice those who find them...
A deeper look at the grooves pressed into a vinyl copy of Distortland by The Dandy Warhols. It might seem silly to entertain the idea that The Dandy Warhols could be suffering from a mid-life crisis but, listening to Distortland, that appears to be the case. The emotional state of the band is particularly evident in listening to the vinyl pressing of the album as the five-per-side running of it gently divides the running into two separate movements which lead...
A deeper look at the grooves pressed into the Means LP by Fews. Even at first sight – before a note of music is heard from the Means LP – those who happen upon Fews’ debut full-length will get the sense that they’re about to bear witness to an important musical event. The front cover poses a bunch of very tantalizing questions; on it, a camera captures a stolen frame of the bandmembers with a brick wall as a backdrop....
A deeper look at the grooves pressed into the diecut “Carry On” single by Booze & Glory The catch about the genre that’s affectionately known as “street punk†is that those who make the music often do not make it for very long. The reason for that is simple: street punk is impoverished by nature – the best of the genre is made by penniless players who are making music either to entertain themselves or their friends – and loses...