A deeper look at the grooves pressed into the Interference Patterns LP by Guest Directors. While the idea of well-known musicians reappearing in new bands with some new musical ideas isn’t particularly new at this point (OFF! revived Keith Morris’ stake in hardcore, Kathleen Hanna’s comeback with The Julie Ruin has been spectacular and Paul Leary’s appearance with The Melvins was excellent – even if it was frustratingly short-lived), Guest Directors have taken that idea in some unexpected directions on...
A deeper look at the grooves pressed into the Plays Music For Airports LP by Psychic Temple. Whatever you think you should expect from the Plays Music For Airports LP – Psychic Temple’s third album, chronologically – you’re going to discover that you’re wrong. First, the recently released vinyl record is a limited-press reissue; Plays Music For Airports originally came out on Joyful Noise Recordings in 2016 between Psychic Temple II in 2013 and Psychic Temple III which was originally...
A deeper look at the grooves pressed into the Ouroboros EP by Kirkby Kiss. It might sound unlikely, but working in the music press can be surprisingly frustrating. The reason for that is simple, really – most bands believe that what they’re doing is unique enough that they couldn’t possibly be forgettable or mistaken for any other band. The problem is that, at a certain level, the name of a release can be mistaken for a band’s name and has...
A deeper look at the grooves pressed into the On Further Reflection EP by Wrong War. At this point, now decades since hardcore reshaped the face of punk rock, it would be easy for someone who isn’t a part of the punk community (isn’t a fan) to not understand how anyone could get excited about “another punk 7”.” Really, that there’s a form and structure in place is impossible to deny; guitars are distorted, songs are fairly simple, lyrics normally...
A deeper look at the grooves pressed into the Human Reaction LP by mssv. While Mike Watt’s early career was defined by the bassist’s time with The Minutemen, it can’t be denied that since the end of The Minutemen, Watt has been viewed as a solo entity. That isn’t to say that the bassist hasn’t played with other bands since then (there have been several), just that Watt has stood as very much an individual entity – even when playing...
Brutal YouthRebuilding Year Sometimes there’s an itch I just can’t scratch. Sometimes you’ve given up on scratching that itch until someone unexpectedly hands you the perfect backscratcher. Finding new music can be an impossible ordeal. Most people’s taste in music sucks after all, but in reality, the more you listen to music, the more you know what will speak to you. Every year it’s a never-ending cycle of listening to new music that have been recommended by friends and magazines...
A deeper look at the grooves pressed into the Yoshimi Battles The Pink Robots 20th Anniversary 5LP Super Deluxe Edition Box Set by The Flaming Lips. While The Flaming Lips had already established themselves in the pop and rock communities by the time Yoshimi Battles The Pink Robots was released in 2002, the album holds the distinction of being the one that really took the band to another level – and equally impressive was the manner in which they managed...
The Hold SteadyThe Price of Progress I think I’ve said this before, but the Hold Steady are one of those bands that suffers from Monty Python syndrome, in the sense that it’s good, but the most annoying people in the world will not shut the fuck about it. Have you met a Hold Steady fan? If you’re not sure, then you haven’t. The real Hold Steady fans are annoying as hell. They think of themselves as some sort of ambassadors...
A deeper look at the grooves pressed into the Urban et Orbi LP by Urban Junior. It doesn’t seem like this should be true on paper but, in the fourteen cuts which comprise Urban et Orbi, Urban Junior shows those listeners who come upon the album the future of pop. That might seem like a bold statement, but it’s true; throughout this album, Urban Junior intermingles electro clash, punk, something which sounds like indie or garage rock and (somehow) underground...
A deeper look at the grooves pressed into the Porterhouse Records reissue of the View From The Bottom EP by The Modernettes. What Porterhouse Records has been doing over the last couple of years has proven to be pretty thought-provoking. The label had already established a name for itself – releasing deluxe edition vinyl reissues from bands like Circle Jerks, Urge Overkill and All – but keeping a second hustle releasing reissues by even more obscure artists has really proven...