vinyl

Vinyl Vlog 445
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A deeper look at the grooves pressed into All Them Witches’ Nothing as the Ideal LP. Over the last five years or so, I’ve become acquainted with Nashville’s All Them Witches; reviewed a couple of their albums and gotten to feel like I know the band – or at least know what to expect from them from album to album. I figured I knew, for example, that their psychedelic/classic rock amalgam would end up being a consistent thread through the...

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Sunday, 06 September 2020
Vinyl Vlog 444
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A deeper look at the grooves pressed into Acid Dad’s self-titled debut album. I must confess that I slept for an unreasonably long time on Acid Dad’s self-titled debut album. I’m not sure how or why, I have to own that it did indeed happen. I have to own it because from the first moment the sound began to build after I put the album on my turntable and let a stylus sink into it, I was aware of what...

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Saturday, 29 August 2020
Vinyl Vlog 441
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A deeper look at the grooves pressed into the LP + 7” reissue of Peculiar by The Slackers. I remember the first time The Slackers released Peculiar in 2006 (back then, it came our on Hellcat Records). At that time, I was only a few years into working in the music press. I had a pretty good relationship with Epitaph, and they sent me a CD copy of Peculiar for review. Back then, I wasn’t too into ska – I...

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Tuesday, 25 August 2020
Vinyl Vlog 440
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A deeper look at the grooves pressed into the Take The Light With You LP by Wildlife. Sometimes the arrival of a record doesn’t bring with it a spectacular introduction – in fact, it would be easy enough to overlook some albums completely on the wrong day – but those albums can sneak up on you, win your heart and capture your imagination if your back is turned and are otherwise engaged. That’s precisely what happened to this critic when...

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Sunday, 23 August 2020
Vinyl Vlog 439
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A deeper look at the grooves pressed into the 12” UV digitally printed “Lost” single by Noi!se. For novelty’s sake, let’s address all of the obvious potential talking points to be found about Noi!se’s UV Digitally printed 12” “Lost” single. Yes, it looks really, really cool. Yes, I think that stranding a three-and-a-half-minute song all alone on a 12” vinyl record is a questionable use of resources, regardless of how cool it looks. Yes, the quality of the graphics on...

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Saturday, 22 August 2020
Vinyl Vlog 437
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A deeper look at the grooves pressed into Territories’ When The Day Is Done 10” EP Work in the press long enough, and eventually one begins to rely on the complications that one finds with a release, because the difficulties in qualifying or quantifying the sound of an album (and the media – for that matter) become the fuel for for what makes that release good or not and why. It’s actually a really easy cheat which, now that I’ve...

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Wednesday, 12 August 2020
Vinyl Vlog 435
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A deeper look at the grooves pressed into The Slackers’ 12″ UV digitally printed vinyl single. Ignoring the, “Gee whiz!” quality of The Slackers’ new single as well as the talking point of, “Well, this is a new way of combining digital and analogue formats into one release,” (rather than being pressed, this release is UV digitally printed vinyl) it needs to be pointed...

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Tuesday, 11 August 2020
Vinyl Vlog 434
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A deeper look at the grooves pressed into the 2LP Deluxe Edition reissue of Sirens of the Ditch by Jason Isbell. It’s pretty uncommon for me to wonder where I was when I review a reissue of an album which was originally released after 2002 (a.k.a. The year I joined the press). That is not to say there weren’t great albums that I didn’t get my hands my hands on to review them when they were new, it’s simply something...

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Saturday, 08 August 2020
Vinyl Vlog 433
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Beastie BoysPaul’s Boutiquephoto: turntablelab.com I don’t know if the Beastie Boys get too much credit or not enough. One thing’s for sure, they’re not spoken about too much among the current mainstream rapper greats. Of course, that’s kind of a misnomer: mainstream rap isn’t really great. And as a Beastie Boys fan, that suits me just fine. Sophomore albums really define a band, don’t they? That first album can make as big an impact as you want, but if you’re...

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Thursday, 06 August 2020
Vinyl Vlog 432
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A deeper look at the grooves pressed into the The Pain, The Blood and The Sword LP by Lion’s Law. There’s a certain comfort which can be found in a record which, while new, sounds familiar. As albums like that play, it can be pretty easy for a listener to sigh as a turntable’s stylus finds its intended groove and each cut seems to spontaneously align and produce an accessible, pleasing sensation for its audience. Now, in the case of...

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Saturday, 25 July 2020