Malibu Ken Selftitledphoto: turntablelab.com Can we give it up for my main man Aesop Rock? Don’t worry, I’ll wait. Oh, you don’t know who he is? Well, shame on you. He’s one of the foremost examples of why rap music is still as exciting and relevant as it ever was, as long as you know where to find it. See, instead of these fakers, rapping about how much bullshit they have, how big they are, and how they’re better than...
A deeper look at the grooves pressed into The Drew Thomson Foundation’s self-titled debut album. “What is the secret to making a pop record in the twenty-first century?” Such was the root of a conversation I had with my daughter last week, but it all began with talking about how much music has changed in what could be perceived as a very short period of time. Since it has bearing on the dialogue, it’s worth pointing out that it was...
BattlesJuice B Cryptsphoto: turntablelab.com Back when Late Night television was worth watching, you could count on them as a source or news, comedy, and music. It’s how I discovered a lot of bands including Battles. Watching them on Jimmy Fallon performing Futura, I was immediately transfixed: the stage presence, the style, the weird placement of the drummer’s crash cymbal. All of it was interesting. I heard the song once and it permanently lodged itself in my brain. Gloss Drop was...
A deeper look at the grooves pressed into the All That Matters Is This Matter LP by Holy Beach. Someone wise once said that “Variety is the soul of pleasure. Variety is the condition of harmony. The best way to keep good acts in memory is to refresh them with new. Variety is the very spice of life that gives it all its flavor.” In that spirit, The Deftones once totally reinvigorated heavy metal music by simultaneously making their approach...
Oh Sees Smote Reverser photo: turntablelab.com It’s a funny thing when you think a band has topped themselves to the point of no return. That happened to me when I first heard Smote Reverser by Oh Sees (formerly Thee Oh Sees). Now this statement (topping oneself) is a hard one to make for a band like this. I’ve said it before and I’ll keep saying it: Oh Sees put out records like Donald Trump lies. Now there’s a thought… But...
The Hold SteadyThrashing Thru the Passion Happy 400th Vinyl Vlog! Thank god for this album, folks. Thank GOD! I think I’ve said this before, but the Hold Steady are one of those bands that suffers from Monty Python syndrome, in the sense that it’s good, but the most annoying people in the world will not shut the fuck about it. Have you met a Hold Steady fan? If you’re not sure, then you haven’t. The real Hold Steady fans are annoying as hell. As such, it’s hard to...
The Fleshies Introducing the Fleshies photo: sorrystaterecords.com The Fleshies conjure up distinct memories in my brain. No, not of circle pits and skateboarding empty pools. The Fleshies remind me of the Pennsylvania country side. It’s in my long drives where I would most often consume albums in their entirety without interruptions. I knew I had always enjoyed the Fleshies (or just “Fleshies” as they used to be called), but on a 2 hour drive through the aforementioned Pennsylvania countryside I...
The Melvins Pinkus Abortion Technician It’s mind-boggling how such a prolific band can be so under-appreciated. Krist Novoselic of Nirvana fame has said that the Melvins are the only band left standing from the grunge-rock cacophony of the Nineties (take that, Pearl Jam), and even the new kids like Mastodon have gone on the record as saying they’re one of the greatest bands on earth. Of course, the Melvins don’t care what people say about them – they’re too busy...
Buzzcocks A Different Kind of Tension (2019 Remaster)photo: Turntablelab.com The Buzzcocks had a major impact on me. At some point in my musical curiosity I started to understand the importance of musical homework: listening to bands to understand a reference more than out of sheer enjoyment. But with the Buzzcocks, it was love at first listen. In my unending need to understand every inch of punk rock history long ago it became painfully obvious that the Buzzcocks would be a...
A deeper look at the grooves pressed into the Serfs Up! LP by Fat White Family. While I can safely say that I did enjoy Fat White Family’s sophomore album (Songs For Our Mothers) when I reviewed it in 2016, it proved to be for the wrong reasons. I liked it, but I missed the point (or at least I think I did); it wasn’t until I sunk a stylus into Serfs Up! – the London-based band’s third album –...