All

WHO: NOT WHAT: Stop the World WHY: I did not think Stop the World would make such an impact on me, mostly because I didn’t think I could ever get used to the vocals. I still don’t think I like the vocals, but Stop the World sounds like a love letter to ALL; every note, every guitar solo, every melody, every tone. For someone starving for new ALL material (“two new albums, one instrumental”), this album is a reminder of...

WHO: Scott Reynolds WHAT: Chihuahua in Buffalo WHY: In a perfect world, Scott Reynolds would be a rich man. His skill as a songwriting is unmatched. His career has led from ALL, to Goodbye Harry, Pavers, and now his solo venture. No one tells a self-contained story in one song better than Reynolds. His latest Chihuahua in Buffalo is a straight-up acoustic album of new songs and revisits of his older material. They’re about relationships, dating, struggle, and loss. It’s...

A deeper look at the grooves pressed into the All Are Welcome LP by Lenny Lashley’s Gang Of One. After the events which have taken place in the United States over the last four years or so, one would have to ask if the album title and the image which adorns the cover of Lenny Lashley’s All Are Welcome LP is indicative of the singer’s sense of humor. That will get listeners to give the album a try on the...

A deeper look at the grooves pressed into All Them Witches’ Nothing as the Ideal LP. Over the last five years or so, I’ve become acquainted with Nashville’s All Them Witches; reviewed a couple of their albums and gotten to feel like I know the band – or at least know what to expect from them from album to album. I figured I knew, for example, that their psychedelic/classic rock amalgam would end up being a consistent thread through the...

Green DayFather of All Motherfuckers (Reprise/Warner)I must confess that, for the first time in almost thirty years (that was the first time I heard Kerplunk and became a fan), the first new song I heard from Father of All Motherfuckers felt like a balk and not a hit to me. The first song I heard was the album’s title track, and it really took me by surprise; I had read that Billie Joe Armstrong really wanted to change up what...

A deeper look at the grooves pressed into the All That Matters Is This Matter LP by Holy Beach. Someone wise once said that “Variety is the soul of pleasure. Variety is the condition of harmony. The best way to keep good acts in memory is to refresh them with new. Variety is the very spice of life that gives it all its flavor.” In that spirit, The Deftones once totally reinvigorated heavy metal music by simultaneously making their approach...

Without intending to overstate the point, what a year 2017 was. Throughout the last twelve months, the world has seen the most unlikely turn which brought power to President Donald Trump, mourned the loss of such fantastic musicians as Tom Petty, Chris Cornell and Chuck Berry, and saw an absolutely tremendous amount of new and exciting music appear on new release racks. Fans were absolutely awe-struck As some bands revisited their catalogues and capitalized on the recent renewed interest in...

A deeper look at the grooves pressed into the Everything All At Once LP by Birds. It might sound contrived to someone who has yet to experience it themselves, but the idea that great music is capable of moving a listener spiritually and emotionally is a very real thing. On the right day, the first listen to a record can excite a listener, amaze them, inspire them, hook them and drag them to places that it’s possible they didn’t realize...

A deeper look at the grooves pressed into the Sleeping Through The War LP by All Them Witches. They might not actually be from the desert (in fact they’re from Nashville, TN), but that doesn’t mean All Them Witches haven’t channelled the heat, aridity and all the weirdness normally associated such a landscape and front-loaded it onto their fourth full-length album, Sleeping Through The War. This time though, no introductions get made (none are really necessary – the band had...

ALL Pummel (Porterhouse Records)   I think it goes without saying that in the ALL/Descendents camp, ALL will always be the more underappreciated group. It’s strange to think that, out of the two, the band that’s considered the part-time project (Descendents) will always get all the glory. Not that ALL has had a stronger musical output, mind you (though after the Descendents’ Hypercaffium Spazzinate that gap might be closing in), but the fact remains that when the cards are...