REVIEWS

ARTIST: The Mothmen – DATE: 08-05-15 REVIEW BY: G.Murray Thomas ALBUM: Pay Attention! LABEL: On-U Sound At first I was surprised to see that this CD originally came out in 1981. It has a very contemporary feel to it, like some of the farther out fringes of today’s music. But then I remember that 1981 was actually a prime year for experimental rock. The initial punk explosion of a few years prior had been spurred by an intense burst...

ARTIST: Radioactivity – VENUE: O\’Brien\’s – Allston, MA – 29/07/15 DATE: 07-31-15 REVIEW BY: Ollie Ottoman PHOTO: Ollie Ottoman It’s an indescribable feeling when an album just hits you, but it’s even better when it’s an album you’ve been looking forward to all year. It really does feel special when you put on that first song and you just know you’re going to be at a familiar place, like being home with old friends. That’s what it feels like...

Neil Young + Promise of The Real The Monsanto Years (Reprise/Warner) Can we all just agree to stop picking on Neil Young for a couple minutes, readers? Granted, the singer has left himself open for lots of critical abuse over the years (the most recent event that nobody wants to talk about is Pono), but there’s a time and place for everything and trying to rip apart The Monsanto Years on the basis of past errors isn’t it. So is...

NEEDS s/t (File Under: Music) It’s funny how, while the sound of an album might not seem particularly interesting upon a listener’s first exposure to it, it’s possible for something to spontaneously change, shift the focus of the music ever-so-slightly and suddenly make it totally captivating.Such a thing happened for me the first time I heard NEEDS’ self-titled debut; when I put it on, I was less than thrilled to discover that almost none of the usual trappings which qualify...

Over the last few years, several artists have managed to successfully resuscitate the theatrics of old vaudeville and revival productions (see The Dresden Dolls and Amanda Palmer’s solo work – to name just the biggest of big names) and actually made the form interesting again. It’s been really cool to watch and, with that success at hand, it almost seemed inevitable that interest would shift to another fading style of music, and someone would try to start reviving it too....

Artist: Black Lips Album: Arabia Mountain Label: Vice Records Every two years when Black Lips re-surface, each new recording is slightly more polished than the last, each managing to sound as though it cost nothing make. Sometimes it costs a lot to sound cheap, and with in-demand producer Mark Ronson helming their new opus, the trashy garage sound synonymous with the Lips was in question. However the result is perfect with Ronson’s diverse musical taste fueling the integrity of their...

ARTIST: The Decemberists – DATE: 03-07-07 REVIEW BY: Clara Druzgalski ALBUM: The Decemberists: A Practical Handbook (DVD) LABEL: Kill Rock Stars   The Decemberists are headed up. They recently signed to Capitol Records for their fourth studio album The Crane Wife, have been touring to promote it with sold out shows, and have somehow managed to get their name on the Coachella poster printed larger than Sonic Youth’s. I have no idea how that happened, but it just goes...

ARTIST: Neko Case VENUE: The Henry Fonda, Los Angeles DATE: 02-27-07 REVIEW BY: Aaron Autrand PHOTO: Timothy Norris There’s something to be said for the amount of pull an artist has with their peers. In the instance of Neko Case, there’s a hell of a lot of it. On her recent tour, she played with Eric Bachman of Crooked Fingers and supported Merle Haggard, and will play with Emmylou Harris in March. In rock terms, those last two would compare...

If turning something old into something new is what’s going on in music right now, then Toronto’s k-os is the man. His third record since 2003, and first for new label Virgin, clearly puts him as one of the most creative and talented musicians and producers in the game right now. The first track off 2007’s Atlantis: Hymns for Disco, “Electrik Heat – The Seekwill,” is yet another take on the “Funky Drummer” break, but there’s homage and a fresh...

“The original blueprint was to combine Carl Craig or early Warp records sounds with that of German groups like Kraftwerk and CAN,” explains David Best of UK’s newest innovation, Fujiya & Miyagi, about their 2007 release Transparent Things. “I like the fact that we can incorporate different styles into our music and it hopefully still sounds like us.” From the first note on “Ankle Injuries,” your ears perk up like when you’re driving down the freeway and you hear a...