A deeper look at the grooves pressed into the 45th anniversary, Porterhouse Records reissue of the Perfect Youth LP by Pointed Sticks. It might sound tragic at first, but it is a fact that some bands are completely incapable of fitting in with their peers because the verdict is always out regarding whether they’re ahead of their time or completely anachronistic. Vancouver’s Pointed Sticks exemplified that logistical dilemma perfectly; formed in 1978, the band successfully came in behind the first...
A deeper look at the grooves pressed into the 30th anniversary vinyl pressing of the …Rocks Your Lame Ass LP by Hagfish. It might comes as a surprise, but the greatest problem that a band might face if they happen to release an album during a moment of great interest in a particular music genre isn’t getting caught in the wave, it is appearing after the tide has begun to recede. In 1994, for example, the Offspring, Green Day, NOFX,...
A deeper look at the grooves pressed into the Ponderosa Bunchgrass and the Golden Rule LP by The Oot n’ Oots. I confess that I have sat on this review (or rather, have dragged my feet on writing this review) for an unreasonably long time. A lot of that had to do with the fact that I honestly had no idea how to approach it; The Oot N’ Oots (the band itself) and Ponderosa Bunchgrass and the Golden Rule (the...
A deeper look at the grooves pressed into the Fantasy > Reality LP by MOVIESTARZ. Over the last fifteen years, those working within the punk genre have gone to great lengths to try and reinvent it – but everyone has always come up a little short on achieving something which has felt brand new and exciting. When VICE Records made the leap and attempted to reinvent hardcore with OFF! on their First Four EPs release, the results were fine and...
A deeper look at the grooves pressed into the limited edition Girly-Sound To Guyville 7LP Box Set by Liz Phair. I confess that, when I first read about Liz Phair’s Girly-Sound cassettes in the SPIN Alternative Record Guide about thirty years ago (even in that, they only drew a passing mention in favor of focusing on Exile In Guyville and Whipsmart) , the whole idea sounded like an exercise in urban myth-making. Not that I hadn’t seen or heard an...
A deeper look at the grooves pressed into the Empty Bottles LP by BOGOs. Strictly on the face of it, it’s really, really easy to mistake The BOGOs in general – and their Empty Bottles album in specific – as a novelty. Before listeners hear a note of music from the album, a story has already been told by the glaringly bright and garish color scheme which dominates the album’s artwork and is neatly supported by the collection of liquor...
A deeper look at the grooves pressed into the “The Beast” b/w “Rebecca” split 7” single by The Drowns and Wonk Unit. Perhaps just to prove how versatile they can be, The Drowns’ “other” recently-released split 7” single (shared this time with Wonk Unit) illustrates just how far the band can stray from their established punk pedigree and steer into something closer to rockabilly without crashing, terribly. Some fans will scoff at such a change and they’re well within their...
A deeper look at the grooves pressed into the “Subculture Rock N’ Roll” b/w “Pleaser” split 7” single by The Drowns and Last Gang. Few things are as potentially harrowing for artists as a split 7” single release. Granted, a 7” can present several potential decisions which could make or break a band on the back of that release, but it’s even harder when a band has just one song to work with AND potentially has to compete with another...
A deeper look at the grooves pressed into Bambara’s Birthmarks LP. Frances Bacon may have famously claimed that, “In order for the light to shine so brightly, the darkness must be present,” but he couldn’t possibly have accounted for the darkness sounding as fine as it does on Birthmarks, Bambara’s fifth studio album. Bands like The Dirty Three might ring bells in comparable quality, but they are all similar only in perfectly abstract terms and prove it as, for the...
A deeper look at the grooves pressed into the Jealous Butcher reissue of the Meaningless LP by Jon Brion. Sometimes, as good as a record might be, it just cannot buy a break. Take the Jealous Butcher reissue of Jon Brion’s Meaningless LP, for example; even a cursory listen effortlessly illustrates the album’s power pop perfection but, released as it was alongside albums like Gorillaz’ self-titled debut, Ani DiFranco’a Revelling/Reckoning, Sum 41’s All Killer, No Filler and Exciter by Depeche...