A deeper look at the grooves pressed into All Them Witches’ Nothing as the Ideal LP. Over the last five years or so, I’ve become acquainted with Nashville’s All Them Witches; reviewed a couple of their albums and gotten to feel like I know the band – or at least know what to expect from them from album to album. I figured I knew, for example, that their psychedelic/classic rock amalgam would end up being a consistent thread through the...
A deeper look at the grooves pressed into Acid Dad’s self-titled debut album. I must confess that I slept for an unreasonably long time on Acid Dad’s self-titled debut album. I’m not sure how or why, I have to own that it did indeed happen. I have to own it because from the first moment the sound began to build after I put the album on my turntable and let a stylus sink into it, I was aware of what...
A deeper look at the grooves pressed into the LP + 7” reissue of Peculiar by The Slackers. I remember the first time The Slackers released Peculiar in 2006 (back then, it came our on Hellcat Records). At that time, I was only a few years into working in the music press. I had a pretty good relationship with Epitaph, and they sent me a CD copy of Peculiar for review. Back then, I wasn’t too into ska – I...
A deeper look at the grooves pressed into the 12” UV digitally printed “Lost” single by Noi!se. For novelty’s sake, let’s address all of the obvious potential talking points to be found about Noi!se’s UV Digitally printed 12” “Lost” single. Yes, it looks really, really cool. Yes, I think that stranding a three-and-a-half-minute song all alone on a 12” vinyl record is a questionable use of resources, regardless of how cool it looks. Yes, the quality of the graphics on...
A deeper look at the grooves pressed into Territories’ When The Day Is Done 10” EP Work in the press long enough, and eventually one begins to rely on the complications that one finds with a release, because the difficulties in qualifying or quantifying the sound of an album (and the media – for that matter) become the fuel for for what makes that release good or not and why. It’s actually a really easy cheat which, now that I’ve...
A deeper look at the grooves pressed into The Slackers’ 12″ UV digitally printed vinyl single. Ignoring the, “Gee whiz!” quality of The Slackers’ new single as well as the talking point of, “Well, this is a new way of combining digital and analogue formats into one release,” (rather than being pressed, this release is UV digitally printed vinyl) it needs to be pointed...
A deeper look at the grooves pressed into the 2LP Deluxe Edition reissue of Sirens of the Ditch by Jason Isbell. It’s pretty uncommon for me to wonder where I was when I review a reissue of an album which was originally released after 2002 (a.k.a. The year I joined the press). That is not to say there weren’t great albums that I didn’t get my hands my hands on to review them when they were new, it’s simply something...
A deeper look at the grooves pressed into the The Pain, The Blood and The Sword LP by Lion’s Law. There’s a certain comfort which can be found in a record which, while new, sounds familiar. As albums like that play, it can be pretty easy for a listener to sigh as a turntable’s stylus finds its intended groove and each cut seems to spontaneously align and produce an accessible, pleasing sensation for its audience. Now, in the case of...
A deeper look at the grooves pressed into the Songs! From The Bathroom Stall? EP by Houston and the Dirty Rats. More than the other things that Songs! From The Bathroom Stall? certainly represents for Houston and the Dirty Rats, the most important rule to keep in mind when listening to the band’s new EP is that it’s unwise to judge a book by its cover. Were one to delve no deeper than just a superficial look or cursory glance,...
A deeper look at the grooves pressed into the Fat Possum reissued pressing of the Los Angeles LP by X. It might not be the first thing that fans think of when they’re looking at punk rock and trying to decode how the genre has evolved, but the fact is that the breed which was borne of Los Angeles in the late Seventies and early Eighties drew from a very deep well of inspiration – arguably a deeper one than...