review

Vinyl Vlog 081
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A deeper look at the grooves pressed into the …And Out Come The Wolves (5 x 7” vinyl set) by Rancid. It sounds a little sensationalist to make this declaration but, of the albums which really sparked the punk revival of the 1990s (including – but certainly not limited to – Punk In Drublic by NOFX, Stranger Than Fiction by Bad Religion, Dookie by Green Day and Smash by the Offspring), it was Rancid who ran closest and truest to...

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1751
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Wednesday, 27 May 2015
Vinyl Vlog 080
Vinyl Vlog

A deeper look at the grooves pressed into the Dreams From The Factory Floor LP by Louise Distras. The problem with a lot of what is earnestly being marketed as punk rock in the twenty-first century is that much of it is fundamentally flawed: it’s made the way it is because that’s what’s expected.The expectation is that punk songs will come equipped with a confrontational attitude stacked on top of a progression of between three and five chords, and somewhere...

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1556
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Wednesday, 20 May 2015
Vinyl Vlog 075
Vinyl Vlog

A deeper look at the grooves pressed into Johnny Cash’s Record Store Day-issued Koncert V Prague LP. It’s incredible how great a difference ten years can make for a musician, but even more amazing is when it’s actually possible to hear that difference in their performance. In 1968, for example, Johnny Cash recorded his classic Live At Folsom Prison album; at the time, the singer was already developing a pretty serious drug problem (he’d become addicted to pills). It wasn’t...

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1614
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Sunday, 19 April 2015
Vinyl Vlog 074
Vinyl Vlog

A deeper look at the grooves pressed into the Citizen Dick RSD-issued Touch Me I’m Dick 7” Freelance journalist and novelist Joshua Foer once opined that “Monotony collapses time; novelty unfolds it. … If you spend your life sitting in a cubicle and passing papers, one day is bound ro blend unmemorably into the next – and disappear.” It might seem unlikely, but Foer’s logic is also applicable to the music industry; to wit, I contend that it I spend...

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1595
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Saturday, 18 April 2015
Vinyl Vlog 072
Vinyl Vlog

A deeper look at the grooves pressed into Cassandra Wilson/Billy Holiday’s Record Store Day-issued split single “You Go To My Head” b/w “The Mood That I’m In.” I love the concept of “versus” releases. You know the ones, reader: the releases which pit two artists against each other under fairly limited conditions – be it to reinterpret the opposing artist’s songbook, or simply to compete and see who can make a better, more lasting impression on listeners in a limited...

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1557
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Friday, 17 April 2015
Vinyl Vlog 070
Vinyl Vlog

A deeper look at the grooves pressed into the deluxe reissue LP portion of the Manic Street Preachers’ Holy Bible box set. The problem with the Brit-Pop explosion that happened in the 1990s (well, it was a problem for some people – others ate it up with a spoon) is that it was a really pretty, really clean and really sterile-looking solution to the void left in pop when grunge suddenly lost Kurt Cobain in 1994. Everything just seemed to...

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1791
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Tuesday, 14 April 2015
The Classics 017
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Ground Control revisits the Enclave release of Sloan‘s One Chord To Another, and attempts to illustrate just how important the album was not just for Canadian rock, but how it qualifies as a Classic rock album in general. If you think about it critically, Sloan has been blessed with a succession of breakthrough moments over the course of their career. The first, of course, was Smeared; the band’s first full-length album marked the band’s emergence from the Maritime-Canadian underground rock...

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1488
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Sunday, 29 March 2015
Vinyl Vlog 054
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A deeper look at the grooves pressed into the Popular Problems LP by Leonard Cohen. Prior to hearing Popular Problems, I was of the well-founded assumption that Charles Dickens was the man best able to straddle the line between affection and alienation which often sounded or read like someone saying (to update the language a bit), “I love you, but you such.” Granted, many poets, authors and songwriters have framed their work in a similar manner to Dickens or used...

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Tuesday, 24 February 2015
The Folk Implosion – [Discography Review]
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As contrary to the basic mindset of music journalism as it might seem (most critics like to see themselves as taste-makers with an ear for a hit, a finger on the public’s cultural pulse and a keen eye which recognizes emerging future trends), sometimes there’s just no way to explain how or why a band succeeds or fails to break through and become a cultural icon. It could be argued that it just boils down to dumb luck; sometimes a...

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Saturday, 29 March 2014
Headstones – [Discography Review]
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If you see enough “rock n’ roll” movies, eventually you begin to realize that there are always a few key points that are totally unbelievable: the best bands came from nothing (and a lot of them started by accident); their rise to greatness really begins at the moment the hardworking group sticks it to the man and starts doing things their own way, they reach a pinnacle of appeal and creative power at roughly the same time or immediately before...

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Friday, 25 October 2013