review

A deeper look at the grooves pressed into the diecut “Carry On” single by Booze & Glory The catch about the genre that’s affectionately known as “street punk” is that those who make the music often do not make it for very long. The reason for that is simple: street punk is impoverished by nature – the best of the genre is made by penniless players who are making music either to entertain themselves or their friends – and loses...

Ollie Ottoman delves into the new Blu-Ray release of Hail Caesar! by the Coen Brothers.

 Ever noticed how Coen brothers movies tend to alternate in the impact they make? The Big Lebowski didn’t really catch on when it was released, but O Brother Where Art Thou is one of the most celebrated films in moviedom. No one really talks about the follow-up Intolerable Cruelty after that, but No Country For Old Men was highly visible at the Oscars. Same with...

A deeper look at the grooves pressed into a vinyl copy of Lost Time by Tacocat. Although Tacocat has gained a reputation as our lovable party garage punk band, I think of them as “Oh, that band.” You see, I have this split 7-inch of Ghost Mice and Tacocat that I think about every time I think about this band. I got this 7-inch years ago because I really like the Ghost Mice. Tacocat was a lovely inclusion and their...

A critical evaluation of Apocrypha Now! by Mark Russell & Shannon Wheeler. The folks over at Top Shelf Comix know what the comics-reading public wants, and that’s a witty retelling of the Apocryphal writings of the bible. You know these Apocrypha and Gnostic books? They were the stories of the bible that history deemed unworthy to include in the official cannon, for some reason. They were considered redundant, or false, or their authorship doubted. Whatever the case may be, they’re...

A critical evaluation of Bacchus Omnibus Edition Volume 1 by Eddie Campbell. Like most of you, I only knew Eddie Campbell from his excellent work in Alan Moore’s From Hell; one of the most thematically rich comics ever written. But, not surprisingly of course, the man is at the helm of other remarkable works. Not least of which is Bacchus. I had never heard of Bacchus, so I’m not here to be Mr. I-Told-You-So, but what I will say is...

A critical evaluation of Empowered Volume 9 by Adam Warren. I have to say, the only thing that’s gotten worse about the Empowered series is that they don’t come out as often as they used to. Is it a superhero comic? A parody of superheroes? A manga? A sci-fi story? It’s really all of those things. Adam Warren has been able to grow and mature his little baby which started out as short “sketches” of a damsel in distress into...

Various Artists God Don’t Never Change (Alligator) It has been said before that the greatest measure of an artist can be found in the list of other individuals who assemble to pay him tribute. If we take that as the truth, it can also be taken as doubtless that Blind Willie Johnson is one of the most important musicians to ever pick up a guitar and play the blues; on God Don’t Never Change, a veritable who’s who collection of...

  A deeper look at the grooves pressed into the Manufactured Recordings/Omnian Music Group reissue of  Million Dollar Ecstacy’s self-titled album. Ever watched one of the interviews that Narduar the Human Serviette has done with Snoop Dogg, reader? They often prove to be very revealing – although not in the way that one would typically expect. See, Snoop is an audiophile and loves/collects old, rare hip hop and rap records and, years ago Narduar took him some in the spirit...

A deeper look at the grooves pressed into Ancient Shapes’ self-titled debut LP. While Daniel Romano has found great success exposing his Country & Western inspirations over the last few years (both 2011’s Sleep Beneath The Willows and 2013’s Come Cry With Me got longlisted for the Polaris Music Prize in those respective years), it’s refreshing and relieving to hear that the singer has elected to turn up and speed up for the new project he has called Ancient Shapes....

PUP The Dream Is Over (Side One Dummy/Universal) Over the last few years, critics have announced the death of rock n’ roll so often that it has become pretty difficult to truly wonder if they’re not right. It gets even harder to not think that maybe – just maybe – there’s no going back either; it is the twenty-first century, after all, and making music on a computer is easy – so why bother picking up a guitar? Are those...