review

A critical evaluation of Trouble Boys – The True Story of The Replacements by Bob Mehr. Maybe it has something to do with the sort of “Little Rascals” image that The Replacements have always given off as a lateral by-product of the band’s popular “loveable loser” image and mythos, but even just reading the words “The True Story of The Replacements” – specifically that nagging word “True” included up front – can get a mind percolating. This is a band...

R.E.M. Monster (Warner Bros., 1994) To this day (now) twenty-two years after it was originally released, R.E.M.’s ninth album, Monster, still feels like it should have been a risky record for the band to make. By then, the band had long since broken through the glass ceiling between the underground and the mainstream; they had become patron saints of the thinking man’s end of college rock (which later got annexed by alt- and is currently a province of the indie...

A deeper look at the grooves pressed into the Pick Your Poison split 7” by Control and Harrington Saints. While I happily admit that I appreciate the 7” single as a format, a split 7” is often a much harder sell with me. Why? Often, the focus feels too diverted on a split; the amount of time that each band involved has to leave an impression is very short and splitting focus two ways only makes it that much more...

A deeper look at the grooves pressed into the 10” reissue of the Airplane Tracks EP by The Burdocks. It might seem unbelievable, but perhaps the greatest creative crime that Sloan ever committed was being so good and becoming so popular and casting such a large shadow in the 1990s and early new millennium that they completely eclipsed all of the other bands which were beginning to appear in Canada’s maritime provinces. Really think about it, reader – Thrush Hermit...

The Misfits Friday The 13th EP (Misfits Records/Sony Music) While there’s no small part of this critic that wants to hang this band which calls itself The Misfits and dismiss them as heretics (I’ve done it continually for years), the truth is that I just can’t do it now. The truth is, the four songs which comprise the Friday the 13th EP are the best that the band has done in years; they’re dark but urgent and walk that ever-so-treacherous...

A deeper look at the grooves pressed into the Blatant Propaganda LP by The Bar Stool Preachers. It’s pretty incredible how much a band seems to change as soon as people start paying attention to them and their fanbase swells. History is littered with band who seemed not to change for years as they attempted to get legs under them (see Social Distortion, Against Me, Black Flag, Bad Religion and  Rise Against – to name only the first which leap...

  A deeper look at the grooves pressed into the The Impossible Kid LP by Aesop Rock. I remember the moment that the world of Hip Hop was opened to me. Years ago, I was interviewing Dillinger Four at the Trocadero in Philadelphia, talking to their bass player about music. He said something along the lines of mainstream rap being in a deplorable state; to the effect that standards and quality control didn’t exist anymore – in his opinion. Lucky...

A deeper look at the grooves pressed into The Anti-State War Machine EP by Kriegs Legion. It’s impossible to listen to Kriegs Legion’s new EP and not flash on the crew of bands which came before them who didn’t exactly typify hardcore or punk rock in any manner, but did explode forth with a sound and vision all their own under those banners. Bands of this tradition included names like D.O.A., Cosmic Psychos, Negative Trend and Agnostic Front; a diverse...

  A deeper look at the grooves pressed into the Songs For Our Mothers LP by Fat White Family. It doesn’t happen often in the post-CD, post-digital music marketplace but, with Songs For Our Mothers, Fat White Family has proven that creating a satisfying and balanced long-playing vinyl album – with the peaks, valleys and thematic movements which propel the music along smoothly from A-side to B- without being “a formless collection of songs” – is not a lost art...

A deeper look at the grooves pressed into the NØ FUTUR(E) 7” by Garbageface. For the release of his new album, Karol “Garbageface” Orzechowski has decided to challenge the usual methodology and manner in music is released. His way flies in the face of how music has been marketed ever since Napster turned the music business back into a singles-driven enterprise again; while everyone else is digitally distributing singles into the world and hoping they’ll entice those who find them...