porterhouse

Spotlight: The Germs
FEATURES

A deeper look at the grooves pressed into the 2LP, black and blue pressing of (MIA) by The Germs. There’s a certain perfect irony about the fact that, upon opening my vinyl copy of The Germs’ (MIA) reissue , I found that the sticker on the C-side of the album was mangled and torn in a manner which, while it was recognizable,...

7
209
0
Wednesday, 02 December 2020
Just One Song 005
COLUMN

Art Bergmann “Christo Fascists” (digital single) (Porterhouse Records) It’s hard to know why “Christo Fascists” has been released as a standalone digital single – separate from a physical 7” or even as a track on a full length album. Something in me wants to contend that a song this good should have the widest distribution possible – as the standout song on a full-length album would be ideal – and while I understand that it’s entirely possible that a digital...

6
300
0
Sunday, 15 November 2020
Vinyl Vlog 436
COLUMN

A deeper look at the grooves pressed into the vinyl reissue of Wonderful by Circle Jerks. Easily the most underrated hardcore band since the genre’s inception in the early Eighties has been the Circle Jerks. The reason that claim is so easy to make is that, pound-for-pound and album-for-album, they broke a surprising amount of ground that a lot of bands would tread upon (and make a lot more money from) later. When the band first appeared with Group Sex...

3
264
0
Wednesday, 12 August 2020
Vinyl Vlog 426
COLUMN

A deeper look at the grooves pressed into the Hawaii EP 12” reissue by Young Canadians. Punk bands have been called dangerous and have been accused of challenging every establishment with which they come into contact, but the truth is that such claims are often pretty overstated. Really think about it, reader – as rough and tumble as The Ramones, Richard Hell and the Voidoids and Television may have looked, there wasn’t much in the way of content in any...

7
359
0
Thursday, 04 June 2020
Vinyl Vlog 410
COLUMN

A deeper look at the grooves pressed into the Summer Bliss and Autumn Tears LP by Steven Bradley. Especially considering the low cost and high quality of digital recording platforms, it has become incredibly easy for every aspiring musician to make the album of their dreams. My intention is not to disparage or downplay any artist’s talent or creative aspirations, I’m just saying that it’s cheap and easy to make a record in the twenty-first century; the thing that isn’t...

4
470
0
Thursday, 23 January 2020
The Classics 031
COLUMN

A deeper look at the grooves pressed into the Porterhouse vinyl reissue of the Saturation LP by Urge Overkill. Quick history lesson: By 1992, Urge Overkill had already established itself both in the fairly unforgiving Chicago music scene and on the North American college radio circuit with the help of albums like Americruiser and The Supersonic Storybook. Not only that, the band had cut a fairly striking and peerless image; unlike so many other alt-rock groups who preferred to mix,...

1
1092
0
Tuesday, 16 October 2018
Vinyl Vlog 323
COLUMN

A deeper look at the grooves pressed into the This American Blues LP by Ford Madox Ford. Remember a couple of decades ago when, against some fairly long odds, The Blasters managed to cross-wire punk rock and Americana/roots music? The results were pretty cool – the group actually did manage to break onto the popular radar for a minute (with some help from Quentin Tarantino and the soundtrack from From Dusk Til Dawn), but basically remained pretty niche because punk...

2
833
0
Tuesday, 10 April 2018
Vinyl Vlog 235
COLUMN

The Gun Club Fire of Love (Porterhouse Reissue) If you’re serious about your music you know that listening to it can be one of two things: pleasure or homework. There are those times when you listen to music purely for pleasure: a new band you’ve heard of, or an old record you want to revisit. Other times, listening to music takes the form of homework: there are these gaps in your knowledge that need filling, or a reference you need...

1
810
0
Friday, 07 July 2017
Vinyl Vlog 229
COLUMN

ALL Pummel (Porterhouse Records)   I think it goes without saying that in the ALL/Descendents camp, ALL will always be the more underappreciated group. It’s strange to think that, out of the two, the band that’s considered the part-time project (Descendents) will always get all the glory. Not that ALL has had a stronger musical output, mind you (though after the Descendents’ Hypercaffium Spazzinate that gap might be closing in), but the fact remains that when the cards are...

1
1129
0
Friday, 16 June 2017