A deeper look at the grooves pressed into the Porterhouse Records reissue of the View From The Bottom EP by The Modernettes. What Porterhouse Records has been doing over the last couple of years has proven to be pretty thought-provoking. The label had already established a name for itself – releasing deluxe edition vinyl reissues from bands like Circle Jerks, Urge Overkill and All – but keeping a second hustle releasing reissues by even more obscure artists has really proven...
A deeper look at the grooves pressed into the LP+CD reissue of Live! by The Dils. While plenty of punk bands have been well exposed since the public became interested in learning about the early days of the L.A. punk scene (X’s catalogue has been reissued by Fat Possum Records, Porterhouse reissued (MIA) by The Germs and other labels have reissued titles by The Avengers, The Bags and The Runaways too), the truth is that giving all of the talent...
A deeper look at the grooves pressed into the new craft pressing reissue of the Creatures For Awhile LP by Personality Crisis. Things like this get said a lot but, in this case, there is actually verifiable proof: while they were working, Winnipeg, Manitoba-based punk band Personality Crisis were in a league of their own. Granted, the band was not around for very long (Personality Crisis formed in 1979 and ran until 1984) and Creatures For Awhile was their only...
A deeper look at the grooves pressed into the 2LP, black and blue pressing of (MIA) by The Germs. There’s a certain perfect irony about the fact that, upon opening my vinyl copy of The Germs’ (MIA) reissue , I found that the sticker on the C-side of the album was mangled and torn in a manner which, while it was recognizable,...
Art Bergmann “Christo Fascists” (digital single) (Porterhouse Records) It’s hard to know why “Christo Fascists” has been released as a standalone digital single – separate from a physical 7” or even as a track on a full length album. Something in me wants to contend that a song this good should have the widest distribution possible – as the standout song on a full-length album would be ideal – and while I understand that it’s entirely possible that a digital...
A deeper look at the grooves pressed into the vinyl reissue of Wonderful by Circle Jerks. Easily the most underrated hardcore band since the genre’s inception in the early Eighties has been the Circle Jerks. The reason that claim is so easy to make is that, pound-for-pound and album-for-album, they broke a surprising amount of ground that a lot of bands would tread upon (and make a lot more money from) later. When the band first appeared with Group Sex...
A deeper look at the grooves pressed into the Hawaii EP 12” reissue by Young Canadians. Punk bands have been called dangerous and have been accused of challenging every establishment with which they come into contact, but the truth is that such claims are often pretty overstated. Really think about it, reader – as rough and tumble as The Ramones, Richard Hell and the Voidoids and Television may have looked, there wasn’t much in the way of content in any...
A deeper look at the grooves pressed into the Summer Bliss and Autumn Tears LP by Steven Bradley. Especially considering the low cost and high quality of digital recording platforms, it has become incredibly easy for every aspiring musician to make the album of their dreams. My intention is not to disparage or downplay any artist’s talent or creative aspirations, I’m just saying that it’s cheap and easy to make a record in the twenty-first century; the thing that isn’t...
A deeper look at the grooves pressed into the Porterhouse vinyl reissue of the Saturation LP by Urge Overkill. Quick history lesson: By 1992, Urge Overkill had already established itself both in the fairly unforgiving Chicago music scene and on the North American college radio circuit with the help of albums like Americruiser and The Supersonic Storybook. Not only that, the band had cut a fairly striking and peerless image; unlike so many other alt-rock groups who preferred to mix,...
A deeper look at the grooves pressed into the This American Blues LP by Ford Madox Ford. Remember a couple of decades ago when, against some fairly long odds, The Blasters managed to cross-wire punk rock and Americana/roots music? The results were pretty cool – the group actually did manage to break onto the popular radar for a minute (with some help from Quentin Tarantino and the soundtrack from From Dusk Til Dawn), but basically remained pretty niche because punk...