WHO: (the) Melvins WHAT: Tarantula Heart WHY: The Melvins “joke” that this is the best album they’ve released ever or in a long time. I don’t know if that’s necessarily true, because I remember Bases Loaded being pretty great. The thing with the Melvins is that they’re constantly putting out good or above average albums. However, I gotta say, there’s something quite special about Tarantula Heart. It’s sludgy, funny, heavy, ambitious, catchy as hell yet still retains the identity of...
A deeper look at the grooves pressed into the Ouroboros EP by Kirkby Kiss. It might sound unlikely, but working in the music press can be surprisingly frustrating. The reason for that is simple, really – most bands believe that what they’re doing is unique enough that they couldn’t possibly be forgettable or mistaken for any other band. The problem is that, at a certain level, the name of a release can be mistaken for a band’s name and has...
A deeper look at the grooves pressed into the Blood Money Part 0 LP by Dope. While the sequence in which the parts of Blood Money are supposed to play is a little unclear (that this LP is numbered part zero implies it’s supposed to be a prequel to Blood Money Part 1 – which was released in 2016 – and while the last song on this album is numbered 13 on the back cover, there are only twelve cuts...
A deeper look at the grooves pressed into Black Label Society’s Doom Crew Inc. 2LP. Funny thing about the bands and/or projects launched by guitarists, they tend to focus heavily on guitar. It is not uncommon, for example, for songs on such albums to feature extended examinations of the guitar as the central thematic and sonic element of every composition; the instrument functions more as the spine of the songs than the drums or bass or piano do. One needn’t...
A deeper look at the grooves pressed into Mastiff’s Leave Me The Ashes of the Earth LP. There has always been something which felt a little off about really aggressive metal (or Doom, or Sludge, or maybe Metalcore – pick your favorite undervalued sub-genre) – as greasy, heavy or dirty as it might get, there’s always an inherent clarity about the recordings. Even when the vocalist in a band like that is leaving his throat/larynx/esophagus on the recording studio floor,...
A deeper look at the grooves pressed into the Brace Yourself LP by Seized Up. Ever heard an album which hits the mark brilliantly and causes you to remember why you like or got into one particular type of music or another, reader? Brace Yourself, the new album by Seized Up, hit me like that – about half the time while it played. The other half of the albums runtime just had me hoping it would find a way to...
A deeper look at the grooves pressed into All Them Witches’ Nothing as the Ideal LP. Over the last five years or so, I’ve become acquainted with Nashville’s All Them Witches; reviewed a couple of their albums and gotten to feel like I know the band – or at least know what to expect from them from album to album. I figured I knew, for example, that their psychedelic/classic rock amalgam would end up being a consistent thread through the...
A deeper look at the grooves pressed into the All That Matters Is This Matter LP by Holy Beach. Someone wise once said that “Variety is the soul of pleasure. Variety is the condition of harmony. The best way to keep good acts in memory is to refresh them with new. Variety is the very spice of life that gives it all its flavor.” In that spirit, The Deftones once totally reinvigorated heavy metal music by simultaneously making their approach...
A deeper look at the grooves pressed into the Bowels of Earth LP by Entombed A.D. I have to confess that the last time I paid any attention to the members of Entombed was around 1993, when the band released Wolverine Blues. The truth is that I became interested when I saw an ad for it in an X-Men comic book, and Wolverine Blues became my first real introduction to death metal. Ironically, I’ve been pretty picky about anything I’ve...
A deeper look at the grooves pressed into the Suffrage LP by Fucked and Bound. Full disclosure: on my first play through Suffrage, I accidentally had my turntable set to the incorrect speed. Because of that, my first judgement was that the band’s sound was thick, dark, sludgy and imposing – but it definitely piqued my interest and curiosity. I was fascinated by the hulking, demonic voice which dominated the song (“Similar to that of Roger Miret,” I thought) and...