Bill

Vinyl Vlog 514
COLUMN

A deeper look at the grooves pressed into the Culture Shock Treatment LP by Round Eye. It may have taken a while for the band to finally get all the paperwork signed and all of their distribution ducks in a row (technically, Culture Shock Treatment was completed in 2020 and Paper + Plastick Records released it digitally late last year – but then everything got problematic) but, happily, everything has come together and Round Eye’s fourth album has finally been...

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Wednesday, 11 August 2021
The Year In Music, 2016 Part 3
FEATURES

While I heard a lot of people complain that 2016 was a really poor year for rock and all its associated sub-genres (punk, hardcore, hard rock, stoner rock, metal et c.), the only thing I can assume is that those critics simply weren’t listening. In fact; picking out just ten great albums this year was nearly fucking impossible; doing so forced me to leave out many albums, those by Fat White Family, Dandy Warhols, XIXA and Pup among them. It...

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Monday, 09 January 2017
Vinyl Vlog 159
COLUMN

A deeper look at the grooves pressed into the Guitar Boy LP by Bloodshot Bill. The moment I first saw Bloodshot Bill will forever be burned into both my eyeballs and my memory. It was at the Middle East in Cambridge while waiting for the Jon Spencer Blues Explosion to go on. And here comes this guy, wearing a robe, hair slicked back, armed with nothing but a guitar, bass drum and hi hat. What followed was thirty minutes of...

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Sunday, 14 August 2016
Descendents – [Album]
REVIEWS

The Descendents Hypercaffium Spazzinate (Epitaph Records) The differences in the performance and presentation of Hypercaffium Spazzinate from every other Descendents album are subtle but evident from the moment “Feel This” screeches in to open the album. There, while the tempo of the drums and guitar are precisely at the speed fans would expect them to be (at that of an over-caffeinated blur, of course), the tone in Milo’s voice has changed to reflect a different demeanor from that of any...

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Thursday, 04 August 2016
The Classics 024
COLUMN

R.E.M. Monster (Warner Bros., 1994) To this day (now) twenty-two years after it was originally released, R.E.M.’s ninth album, Monster, still feels like it should have been a risky record for the band to make. By then, the band had long since broken through the glass ceiling between the underground and the mainstream; they had become patron saints of the thinking man’s end of college rock (which later got annexed by alt- and is currently a province of the indie...

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Friday, 29 July 2016