WHO: The Clash WHAT: Live at Jaap Edenhal, Amsterdam, Netherlands, 1981 WHY: We’re not accustomed here at GC to recommend bootlegs, but this one is probably the mother of Clash bootlegs. Live at Jaap Edenhal is a live bootleg recorded from the console, and catches the Clash still at the height of powers still. This is finally a cohesive, high quality, complete capture of the band playing mostly their entire catalog (Combat Rock excluded). It’s interesting both as a testament...

Enter the Dragon Boy, was I ever on a Bruce Lee kick. That Criterion box set succeeded both in content and design. It was the perfect way to get into his movies and learn a lot about who he was, how he approached his film career, and his lifestyle. The thing is, though, that the more I saw and thought about it, the more it seems like he was kind of a scam artist. I mean, “Jeet-Kune-Do”? “Be like...

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YOLO. You only live once. And for a music fan that’s important. A few years ago I realized how important it is the seize the moment, get off your ass, and see a band you like, because you only live once. They only live once. I once drove 2 hours to Western Mass to see Lee Scratch Perry and then beat myself up about it a little because I just could have seen him in Boston the next time. But...

A deeper look at the grooves pressed into the black vinyl 30th Anniversary reissue of Alice In Chains’ Jar Of Flies EP. After seeing the multitude of “deluxe” variants of Alice In Chains’ Jar Of Flies EP that have been released in celebration of its thirtieth anniversary (on multi-colored vinyl, on vinyl with little replica houseflies pressed into it and so on), it’s refreshing to see the record reappear remastered and reissued on the most apt color vinyl possible: on...

Creation Rebel Hostile Environment I thank the Clash for many things, and one of those things is getting me into Reggae. I grew up in a tropical island where reggae was a soundtrack to your day, not something you actively sought out. Why would you? Is there anything besides Bob Marley? Yeah, that’s the mentality I had, Then I heard the Clash, and I didn’t get it. Then I dug deeper and I had a revelation. Listening to the...

I’ve been a fan of Jon Snodgrass for over 20 years and have only seen him live once. Embarrassing, I know. Especially considering how much I owe the man. Armchair Martian is such a no-brainer for anyone into pop punk, especially the Descendents/ALL/Fat Wreck variety, and I was hooked from the beginning (hey, when’s a new album coming out?), but I didn’t think country music could be cool until I heard his band Drag the River with ALL frontman Chad...

WHO: Jon Snodgrass + Buddies WHAT: Barge at Will WHY: Jon Snodgrass’ appeal is very specific. His songs sound like they would fit perfectly in an ALL or Descendents album, but his drawl gives it all a country-western quality. Also, the man has a sense of humor that he doesn’t mind showing in his music. Barge at Will is a rocking collection of songs that sit comfortably in a beer-soaked bar, much like you would find in a Hold Steady...

Lisa Frankenstein Look, I don’t know much about Diablo Cody, except that she’s got a niche audience. I saw Juno and thought it was fine. Just fine. I know she did Jennifer’s Body, which has a cult following. She’s also worked non-stop on movies and TV shows both as a writer and creator, so she’s the real deal, right? I think the main draw of Lisa Frankenstein is that it’s got Cody’s involvement… and that 80s aesthetic. The concept sounds...

Sailor Moon RComplete Second Season We seldom get second chances in life. I’m not talking about the big stuff, I’m talking about the stuff that matters: the little things. As an anime fan in general, I always dismissed Sailor Moon as being silly, for children, or just simply embarrassing (having established the short skirts and speed lines trope which prevails judgement of the anime genre). However, it’s presence (read: ubiquity) in Japanese pop culture is inescapable, and as...