Vinyl Vlog 080
Vinyl Vlog

A deeper look at the grooves pressed into the Dreams From The Factory Floor LP by Louise Distras. The problem with a lot of what is earnestly being marketed as punk rock in the twenty-first century is that much of it is fundamentally flawed: it’s made the way it is because that’s what’s expected.The expectation is that punk songs will come equipped with a confrontational attitude stacked on top of a progression of between three and five chords, and somewhere...

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1678
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Wednesday, 20 May 2015
no-cover
REVIEWS

NEEDS s/t (File Under: Music) It’s funny how, while the sound of an album might not seem particularly interesting upon a listener’s first exposure to it, it’s possible for something to spontaneously change, shift the focus of the music ever-so-slightly and suddenly make it totally captivating.Such a thing happened for me the first time I heard NEEDS’ self-titled debut; when I put it on, I was less than thrilled to discover that almost none of the usual trappings which qualify...

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Friday, 08 May 2015
Vinyl Vlog 077
Vinyl Vlog

A deeper look at the grooves pressed into the Record Store Day-issued Live At Grimey’s LP by Justin Townes Earle. For some reason, it always feels a little awkward to review the work of a second generation musician. Maybe it’s because the easiest comparison to make (be it positive or negative) is to the artist’s progenitor; like, how easy is it to look at Sean Lennon’s work and not see John Lennon or Yoko Ono in the periphery, and one...

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Monday, 27 April 2015
Vinyl Vlog 075
Vinyl Vlog

A deeper look at the grooves pressed into Johnny Cash’s Record Store Day-issued Koncert V Prague LP. It’s incredible how great a difference ten years can make for a musician, but even more amazing is when it’s actually possible to hear that difference in their performance. In 1968, for example, Johnny Cash recorded his classic Live At Folsom Prison album; at the time, the singer was already developing a pretty serious drug problem (he’d become addicted to pills). It wasn’t...

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1722
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Sunday, 19 April 2015
Vinyl Vlog 074
Vinyl Vlog

A deeper look at the grooves pressed into the Citizen Dick RSD-issued Touch Me I’m Dick 7” Freelance journalist and novelist Joshua Foer once opined that “Monotony collapses time; novelty unfolds it. … If you spend your life sitting in a cubicle and passing papers, one day is bound ro blend unmemorably into the next – and disappear.” It might seem unlikely, but Foer’s logic is also applicable to the music industry; to wit, I contend that it I spend...

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1714
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Saturday, 18 April 2015
Vinyl Vlog 071
Vinyl Vlog

A deeper look at the grooves pressed into Adam and the Ants’ contribution to Record Store Day this year, the “Kings of the Wild Frontier” b/w “Antmusic” reissued single. After the band’s debut album made a splach in 1979 , Adam and the Ants had their work cut out...

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1582
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Friday, 17 April 2015
Vinyl Vlog 072
Vinyl Vlog

A deeper look at the grooves pressed into Cassandra Wilson/Billy Holiday’s Record Store Day-issued split single “You Go To My Head” b/w “The Mood That I’m In.” I love the concept of “versus” releases. You know the ones, reader: the releases which pit two artists against each other under fairly limited conditions – be it to reinterpret the opposing artist’s songbook, or simply to compete and see who can make a better, more lasting impression on listeners in a limited...

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1665
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Friday, 17 April 2015
Vinyl Vlog 073
Vinyl Vlog

A deeper look at the grooves pressed into the The Eco-Terrorist In Me 7” released by Rise Against + Will Potter. At first, it might be easy for the format fetishist who is searching for the great “find” or “must-have” on Record Store Day to overlook Rise Against’s contribution to the festivities. On the surface, it doesn’t really stand out at all; the band put a song from the album that they released last year (The Black Market) up front...

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1600
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Thursday, 16 April 2015
Vinyl Vlog 070
Vinyl Vlog

A deeper look at the grooves pressed into the deluxe reissue LP portion of the Manic Street Preachers’ Holy Bible box set. The problem with the Brit-Pop explosion that happened in the 1990s (well, it was a problem for some people – others ate it up with a spoon) is that it was a really pretty, really clean and really sterile-looking solution to the void left in pop when grunge suddenly lost Kurt Cobain in 1994. Everything just seemed to...

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1917
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Tuesday, 14 April 2015
The Classics 017
COLUMN

Ground Control revisits the Enclave release of Sloan‘s One Chord To Another, and attempts to illustrate just how important the album was not just for Canadian rock, but how it qualifies as a Classic rock album in general. If you think about it critically, Sloan has been blessed with a succession of breakthrough moments over the course of their career. The first, of course, was Smeared; the band’s first full-length album marked the band’s emergence from the Maritime-Canadian underground rock...

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1615
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Sunday, 29 March 2015