I actually like the Fall. It means a gnarly winter is on its way, but before it shows up there is just this sort of chill and beauty around that makes you stop and think for a bit about, I don’t know, life or something. The other thing about Fall is how much new music is released during this season. Fall and SXSW are the two major times for music it seems like, so I’m all for the Fall. Which...

There are ways of setting a tone for a film that paint a picture, and then there are ways of setting a tone that frame it – essentially encapsulating the entirety of the forthcoming proceedings and giving a clue as to what you’re going to see with a few words but without giving the whole thing away – thus baiting as well as exciting potential viewers into what feels like will be an event or, better still, a happening. Rant...

From the opening false start of “Real Love,” an image instantly manifests in a listener’s mind that only gets set firmer when Lucinda Williams growls petulantly into her microphone. If it can bee assumed that 2007’s West was, in fact, a stoic and dry-eyed kiss-off to a former lover, as Little Honey warms up listeners are given the impression that the split might not have been so clean. Rather than the other party leaving, as listeners might have assumed of...

It has been said so often at this point that it might as well be a mantra in music criticism: “Of course AC/DC records still sell well – they`ve made the same one nineteen times.” On the surface, it certainly seems that way – one can construct a representative record of theirs from memory: take blues and Chuck Berry riffs, add a bunch of sexual energy and innuendo and a diminutive guitar god, shake well and serve. It seems easy...

There are ways of setting a tone for a film that paint a picture, and then there are ways of setting a tone that frame it – essentially encapsulating the entirety of the forthcoming proceedings and giving a clue as to what you’re going to see with a few words but without giving the whole thing away – thus baiting as well as exciting potential viewers into what feels like will be an event or, better still, a happening. Rant...

At Ground Control, we've become big fans of Cat Power for any number of reasons; the video for “Lived in Bars,” the fact that she's actually able to complete a live set now, her unparalleled taste and vision for cover songs, and—most importantly in a world where you live and die with web traffic—the benefits of the confusion that surrounds her cover of David Bowie's “Space Oddity.” See, not unlike “Baba O'Riley” (ask around and see how many people know...

When a friend of mine suggested to me that I go check out Bullet For My Valentine at the Warfeild Theater with him, I was a bit hesitant. I really hate to say it, but it seems that most of today's metal bands just don't seem to have that spark, or special something, that the bands I grew up listening to had (and still have) and having never heard BFMV before I was pretty skeptical that they would win me...

Fans and critics alike have always wondered: “How much input does any given artist have in the track selection of a greatest hits or best-of compilation?” The question’s both obvious and reasonable, any fan can tell you that usually such sets are characterized by what’s absent in the run-time than what’s actually there and, by and large, outside of the odd outtake, B-side or unreleased track, titles of the “Best Of” variety tend to be comprised of a whole lot...

I’m honestly not sure if you’re ready to do battle with these guys. I tried, only to be trampled over by back-to-back tracks that beat me down with not only the unexpected, but those pounding vibes that make me rock my head at work involuntary. Not only that, but I’ll take a quick peak around to see if anyone’s looking, and maybe bust a move. I came in knowing a few facts about the Stanton Warriors. Dominic Butler and Mark...

While Rise Against’s affinity for Black Flag has been well documented over the years (they even portrayed Henry Rollins and company on stage in the movie Lords Of Dogtown and, to date, have had former Black Flag and Descendents drummer Bill Stevenson man production duties on three of their five albums – that’s only one produced by someone else since they broke with Revolutions Per Minute in 2003), listeners might be surprised to learn how deeply that affection and respect...