Elliott SmithXO(Bong Load 25th Anniversary)photo: turntablelab.com I thought I had closed the book on Elliott Smith in my life. He was thrust upon me by an ex girlfriend who was from Oregon. As you can imagine, you can’t be in high school in Oregon in the 90s and not be consumed by Elliott Smith’s music. And when you date someone like that, some of that stuff is going to rub off on you. I absorbed his last album From a...
Run-DMCRun-DMC(Get On Down Records reissue)photo: turntablelab.com Whenever we get a chance we like to keep it local here on Ground Control. We do it with our bands and we do it with our labels. I’m Boston based and how Get on Down has escaped me for all these years, I’ll never know. The best part is that I found out about them through word of mouth from my local record store in Somerville called Index Records. Well, my record (no...
Buzzcocks Singles Going Steady (2019 Remaster – Domino Records)photo: turntablelab.com The Buzzcocks belong up there with the Clash and the Sex Pistols for contributing the most to the punk rock of the 70s. Sure the Damned belong there also, but they were never Buzzcocks-calibur in my book. And the Sex Pistols are the Sex Pistols but there’s no denying what a similarly overrated and underrated album Nevermind the Bollocks is. And the Clash? They’re just untouchable. There can be no...
A deeper look at the grooves pressed into the Bela Sessions 12” reissue by Bauhaus. In order to really appreciate just exactly how radical Bauhaus was in the early stages of their career, one must recognize what they did seemingly as a matter of course – how different it was from everything else, and how boldly the band did it from day one. The group’s first release, the “Bela Lugosi’s Dead” single, is an ideal illustration of that difference; in...
A deeper look at the grooves pressed into the 30th anniversary picture-disc reissue of Volume 1 by The Traveling Wilburys. The term “classic” gets thrown around a lot and, often, in directions for which it isn’t actually deserved. A true, genuine-article classic is a thing that sets an enduring impression and standard to which others aspire, and/or would claim to be of a similar lineage; it’s an important portrait of a moment. The Traveling Wilburys’ first album is such a...
Rage Against the Machine The Entire Catalog vinyl reissue Let me start off this review by painting a picture of just how important Rage Against the Machine were to my development as a teenager. Growing up in Aruba in the 90s, completely isolated from the world, we craved outside culture. We didn’t have a good idea of what was going on in the cool parts of the world (like the USA), so we’d rely on word of mouth from kids...
A deeper look at the grooves pressed into the Porterhouse vinyl reissue of the Saturation LP by Urge Overkill. Quick history lesson: By 1992, Urge Overkill had already established itself both in the fairly unforgiving Chicago music scene and on the North American college radio circuit with the help of albums like Americruiser and The Supersonic Storybook. Not only that, the band had cut a fairly striking and peerless image; unlike so many other alt-rock groups who preferred to mix,...
A deeper look at the grooves pressed into the The Old New Me / Times Like This 2LP reissue by Slim Dunlap. Of course, after the collapse, crash and burn of The Replacements in 1991, it was almost instantly hoped that somebody in the band would begin producing more music but nobody looked at Slim Dunlap to be the first one out of the gate. Dunlap was, after all, the replacement guitarist in The Replacements – that was the joke...
A deeper look at the grooves pressed into the 12” picture-disc reissue of Old Firm Casuals’ self-titled debut EP. By the time Lars Frederiksen unveiled Old Firm Casuals in 2010, the singer/guitarist was already very well exposed in the punk rock community. He had already cut his teeth with U.K. Subs in 1991, gained pop (and pop-punk) stardom with Rancid beginning in 1993 and “gone solo” with The Bastards in addition to taking a seat in the producer’s chair at...
A deeper look at the grooves pressed into the Hellcat Records/Pirates Press reissue of Lars Frederiksen and the Bastards’ self-titled debut album. Those who remember that time period when all the Southern California punk bands who broke through in the early Nineties got huge (like the Offspring, Green Day, NOFX and Rancid) remember what a big deal it was when Lars Frederiksen and the Bastards released their first album in 2001. Granted, they were not the first offshoot group to...