West

Vinyl Vlog 526
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A deeper look at the grooves pressed into the Digital Age of Rome LP by T. Hardy Morris. It’s weird to think how tumultuous a year 2020 was, and how that tumult was reflected in the music which was released at the time. Even if a band didn’t actually have a political streak in their hair or bone in their body, conflict in the times seemed to appear in the music. Now, 2021 has had its share of rough running...

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Thursday, 11 November 2021
Vinyl Vlog 518
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A deeper look at the grooves pressed into the Exit Wounds LP by The Wallflowers. Who wouldn’t love to be Jakob Dylan? Since first appearing with The Wallflowers in 1992, Dylan has kept a “when I feel like it” mentality about his schedule of new releases (seven albums in twenty years – with nearly decade-long breaks along the way – is the definition of “when I feel like it”) and gotten away with it because he happens to be a...

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Tuesday, 14 September 2021
Vinyl Vlog 501
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A deeper look at the grooves pressed into the JT LP by Steve Earle and The Dukes. The fact is that no parent ever assumes they’ll outlive their children. There’s a security in that knowledge; at a certain point, parents realize that it’s unlikely they’ll accomplish all the things that they hoped to do in their lifetimes (either for themselves or for their progeny – some things will simply be left undone), and so there’s a certain comfort which comes...

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Wednesday, 19 May 2021
Vinyl Vlog 465
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A deeper look at the grooves pressed into the Back of Our Heads LP by Kalen & Aslyn. I confess that Country balladry is not my favorite type of music. Don’t get me wrong, I can appreciate a slow song; I am absolutely capable of appreciating a love song or a slow song – but those moments when a singer just lilts his or her way along through a melody and does so through puddles of caramelized saccharine compel me...

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Thursday, 26 November 2020
Vinyl Vlog 463
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A deeper look at the grooves pressed into the Agricultural Tragic LP by Corb Lund. It’s genuinely hard to believe that Agricultural Tragic is Corb Lund’s tenth full-length album (fifth for New West). Since first appearing in 1995, the Alberta-based band has maintained a release schedule which has managed to illustrate consistent growth and improvement on a timeline which it’s almost possible to set one’s watch to. Not only that, when fans hear that Corb Lund has a new album...

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Wednesday, 25 November 2020
Vinyl Vlog 461
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A deeper look at the grooves pressed into Jaime Wyatt’s Neon Cross LP. After having watched all the sonic and stylistic directions in which the artists on New West’s roster have gone, it feels more than a little reassuring to see that at least some artists are signed to a country music label because they want to make country music – and not necessarily just make music which happens to have a couple of C&W inflections in hand as that...

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Wednesday, 18 November 2020
Vinyl Vlog 453
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A deeper look at the grooves pressed into the Floor It! 2LP by the Texas Gentlemen. It’s funny to think about how much the Texas Gentlemen have changed since first appearing with the release of Texas Jelly in 2018. Just two years ago, the Texas Gents arrived sporting the tightest sound but it was coupled with a design which let the album’s shape develop as it played. The end results turned out to be a mercurial work of art which...

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Wednesday, 14 October 2020
Vinyl Vlog 452
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A deeper look at the grooves pressed into Naked Giants’ The Shadow LP. While it’s not terribly uncommon for a band to make great creative changes in their sound and style unexpectedly throughout their career, the knowledge that such events can happen still doesn’t exactly explain the arc that Naked Giants have taken which ultimately brought the band to The Shadow – the group’s second full-length album for New West Records (third for the label). When the band started (in...

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Saturday, 10 October 2020
Vinyl Vlog 450
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A deeper look at the grooves pressed into the Crash Test Kid LP by Sammy Brue. After releasing a debut album which, while obviously ambitious, ultimately yielded results which were “just okay” followed by an EP that revealed a greater-than-average Blind Melon influence, Sammy Brue clearly upped his dose of Fuckitol, just cut loose and bravely elected to just have fun when it came to making Crash Test Kid. Through the eleven cuts on his sophomore LP, Brue lets each...

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Monday, 05 October 2020
Vinyl Vlog 449
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A deeper look at the grooves pressed into the Ghosts of West Virginia LP by Steve Earle and The Dukes. I confess that – for a variety of reasons, many of which are not rooted in rational or critical thinking – I have never really given Steve Earle a whole lot of my time. Some of that has to do with the politics and soapboxes, but suffice it to say that it has just never happened; I’ve never walked up...

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Thursday, 24 September 2020