A deeper look at the grooves pressed into Art Bergmann’s The Apostate LP. In Canada, there is simply no musician more criminally underrated and under-appreciated than Art Bergmann. Since first appearing on the Vancouver punk and indie rock scenes in the Eighties, Bergmann has regularly had to fight to get popular notice not because the guitarist needed time to mature artistically, but because he has always been in the wrong place at the wrong time; always on the cusp of...