A deeper look at the grooves pressed into the Black Friday-issued “Keep It Thoro” 12” single by Mobb Deep’s Prodigy. It’s kind of incredible to think about just how much the “Single” has changed as a format over the years. When singles first gained popularity, their construct was simple; a hit song was collected from a long-playing record, then paired with a song of complimentary length and then pressed one-per-side onto a seven-inch record. Simple, right? As both taste and...
A deeper look at the grooves pressed into the “Best Of The Best” b/w “45” seven inch single by Roadside Bombs. It’s pretty uncommon for a punk band to publicly praise a music journalist (not that it never happens, just that it doesn’t happen regularly) so when Roadside Bombs doesn’t just praise a critic, they put his face on the A-side of a single and publicly promote him as being “The Best of The Best,” it begs attention.The critic in...
A deeper look at the grooves pressed into the “Wake Up” 7” single by The Complicators. Now that punk rock has gone around the block a few times and collected little generic influences like a lint brush, it’s understandable how some fans may be hard-pressed to recognize it anymore. That’s why a release like The Complicators’ “Wake Up” 7” is so refreshing though; it grunts, it grinds and it stomps but, most importantly, it sticks to the core tenets that...
A deeper look at the grooves pressed into Harrington Saints’ “Red State” 7” single. It’s not uncommon for punk bands to tackle political subject matter, but it is unusual to hear the language of Republican politics appear in a punk song. That’s what makes the title track from Harrington Saints’ newest 7”, “Red State,” so compelling; while the song itself is not actually “red,”it utilizes the language as a discussion point in order to uncover the politics and psychology of...
A deeper look at the grooves pressed into the Unclean 7” by Tough Age. After they’ve gone through all three songs which comprise Tough Age’s new Unclean 7”, listeners may find that they need to take a moment and collect themselves – I certainly did. I needed to step back and collect myself because I had no particular desire to just spill ink and compliments all over a page; true, all three songs are great and effortlessly called out the...
A deeper look at the grooves pressed into the They Call It Justice 7” by The 45 Adapters. It might sound a little strange at first, but the 45 Adapters and their new 7”, “They Call It Justice,” are coming at the perfect moment in history for the band’s brand of Oi to really get over with audiences. Why? First, a pretty significant portion of the world’s population is good and pissed off with the political climate in the United...
A deeper look at the grooves pressed into the Record Store Day 2017-issued 2×7” set by Alice In Chains. Over the last few years in particular, Record Store Day has really seemed to cater to a “collectible” market over a market wherein fan interest is the focus. That has proven to be a little frustrating; because of it, record stores get glutted by people one day a yearhoping to score something they can resell – not necessarily something they can...
A deeper look at the grooves pressed into the “War On Love” 7” single by Roadside Bombs. It might not be for everyone but, for me, some of the coolest things to hear are those which crosswire a few different sounds and styles which feel as though they should stand at odds with one another. A perfect example of such an unusual stylistic counterpoint can be found on Roadside Bombs’ new single, War On Love; pressed on “super” cyan blue...
A deeper look at the grooves pressed into the Pick Your Poison split 7” by Control and Harrington Saints. While I happily admit that I appreciate the 7” single as a format, a split 7” is often a much harder sell with me. Why? Often, the focus feels too diverted on a split; the amount of time that each band involved has to leave an impression is very short and splitting focus two ways only makes it that much more...
A deeper look at the grooves pressed into the NØ FUTUR(E) 7” by Garbageface. For the release of his new album, Karol “Garbageface†Orzechowski has decided to challenge the usual methodology and manner in music is released. His way flies in the face of how music has been marketed ever since Napster turned the music business back into a singles-driven enterprise again; while everyone else is digitally distributing singles into the world and hoping they’ll entice those who find them...