A deeper look at the grooves pressed into The Complicators’ self-titled album. While it’s very easy for any critic to come off as surprised when a band reassembles a set of well-used, time-honored musical cliches and presents something which works, it’s far more difficult to find the flaw which ultimately causes that very familiar structure to fall apart and/or come off as completely irredeemable.How does one do it? How does one point to the problem which ultimately caused the house...
A deeper look at the grooves pressed into NEEDLES//PINS’ self-titled album. There is something particularly special about self-titled albums – the unspoken rule is that, when a band puts its name on an album like that, it is intended to exemplify just exactly who that group is at its core. A self-titled album is a statement of a band’s personality as well as a statement of intent; bands always stand behind their output – even if only for the moment...
A deeper look at the grooves pressed into Blood Lemon’s self-titled debut album. The beauty of great music – I mean truly great and timeless music – is that while listeners will feel as though they can easily pick out aspects of what they’re hearing and place it among other excellent or classic works, they’ll also breathlessly enthuse about how original that album is too. Listening to Blood Lemon’s self-titled debut album is just exactly like that; from note one,...
A deeper look at the grooves pressed into the Jealous Butcher reissue of Infinite X’s’ self-titled album. After Longstocking met its end in 1997, singer/guitarist Tamala Poljak was clearly still riding some residual inspiration when they began assembling the music which would become Infinite X’s’ debut album. When the time finally came to start recording, the group of players assembled to comprise the band gave an ideal illustration of what it would sound like; Poljak’s pedigree was all about West...
A deeper look at the grooves pressed into Young Culture’s self-titled album. It might have just been a matter of taking a while to finally start missing it, or maybe I just needed enough time for the memory of the “Disney-fication” of the last wave of bands to fade, but listening to Young Culture’s self-titled album has caused me to remember that I really did like and had missed pop-punk. To reiterate, that’s pop-punk – not melodic hardcore (which I...
As good or remarkable as any band could eventually prove themselves to be, history has proven conclusively that it’s truly rare for any band to arrive that way (see Nirvana, Ween, Wilco, etc. for examples of bands which developed over time) out of the proverbial box. In that regard, The Glands were no exception; when they started, this little band from Georgia was a perfectly average-at-best band, drawing inspiration from punk and college rock. They produced music of a quality...
A deeper look at the grooves pressed into The Nude Party’s self-titled album. As one listens to The Nude Party’s self-titled album, it’s instantly easy to pick out some sounds and ideas which may have inspired the music, but not so easy to figure out how all the pieces might have aligned to produce this result. For example, the haunting keyboards which color the songs on The Nude Party sound as though they might have been inspired by Shadowy Men...
A deeper look at the grooves pressed into the 12” picture-disc reissue of Old Firm Casuals’ self-titled debut EP. By the time Lars Frederiksen unveiled Old Firm Casuals in 2010, the singer/guitarist was already very well exposed in the punk rock community. He had already cut his teeth with U.K. Subs in 1991, gained pop (and pop-punk) stardom with Rancid beginning in 1993 and “gone solo” with The Bastards in addition to taking a seat in the producer’s chair at...
A deeper look at the grooves pressed into the Hellcat Records/Pirates Press reissue of Lars Frederiksen and the Bastards’ self-titled debut album. Those who remember that time period when all the Southern California punk bands who broke through in the early Nineties got huge (like the Offspring, Green Day, NOFX and Rancid) remember what a big deal it was when Lars Frederiksen and the Bastards released their first album in 2001. Granted, they were not the first offshoot group to...
A deeper look at the grooves pressed into Stadium Way’s self-titled 7” EP. While the idea of the members of punk bands starting side projects in order to express ideas which won’t fit the form of their main band is not a new one, few side projects in recent memory are quite as compelling as Stadium Way. Formed by Matt Henson and Kenny Dirkes as a getaway from their duties as bassist/singer and drummer in rough housing punk band Noi!SE,...