rockabilly

A deeper look at the grooves pressed into the Kepi and Friends – Full Moon Forever LP by Kepi Ghoulie. After having already reviewed Kepi Ghoulie’s “other” album released this year (the Ramones In Love LP), I can say with regret that I approached Ghoulie’s output this annum in the wrong order. Full Moon Forever is a really good album which features covers of songs by bands like The Cure, Iggy Pop, Nick Cave, The Cars and the Jesus and...

A deeper look at the grooves pressed into the Street Sermons LP by Daddy Long Legs. It’s funny how an album cover is capable of getting the gears to begin running in a listener’s mind and cause them to begin drawing conclusions and/or forming expectations of the music before they even hear a note. In the case of Daddy Long Legs’ debut album, Street Sermons, the image on the album’s cover sort of cross a couple of wires; the black...

The Christian Family The Raw and Primitive Sound of… (Voodoo Rhythm Records) While it would be easy enough to spill plenty of ink on the fact that The Christian Family is pretty evidently a kindred spirit to such popular “dirty shirt rock n’ roll” bands as The White Stripes, Boss Hog, Royal Trux, The Black Keys and the Jon Spencer Blues Explosion, actually making such comparisons is entirely too convenient and doesn’t actually do anyone any favors. Stripped even more...

A deeper look at the grooves pressed into the You’re Class, I’m Trash LP by The Monsters. Arguably the greatest compliment one can pay to a punk record is not to call it “good” or “great” or anything like that (because such terms can be – and have been – dismissed as a matter of opinion or as a matter of perception), but to simply exclaim, “You’ve gotta hear this” to as many potentially receptive ears as possible. Word tends...

A deeper look at the grooves pressed into the Confines Of Life LP by Neighborhood Brats. I confess that I spent most of my first play through Confines Of Life, Neighborhood Brats’ third full-length album (and my first exposure to the band), just trying to figure out where to start with it. Somehow, it just wasn’t easy to effectively catch or contain the band; from note one of “Who Took The Rain” (which opens the album’s A-side), the band is...