A deeper look at the grooves pressed into the Lunatics EP by The Drowns. It would be easy enough to curse The Drowns out for what the band has done with the Lunatics EP. Not unlike what innumerable other acts have done, over the years (Hot Water Music, NOFX and John Lennon all leap to mind), The Drowns have elected to take a moment that they’re capable of stretching out from their musical comfort zone (which has tended to stay...
A deeper look at the grooves pressed into the reissue of The Lorrainas’ Party ‘Til It’s Dark LP. Sure, this vinyl reissue of Party ‘Til It’s Dark – The Lorrainas’ first and only full-length studio album – may seek to re-introduce material which is now seventeen years old, but anyone who hears it will excitedly admit that the music sounds one hundred per cent fresh; after the rush of endorphins which come with the music initially begin to fade. The...
A deeper look at the grooves pressed into the You’re Class, I’m Trash LP by The Monsters. Arguably the greatest compliment one can pay to a punk record is not to call it “good” or “great” or anything like that (because such terms can be – and have been – dismissed as a matter of opinion or as a matter of perception), but to simply exclaim, “You’ve gotta hear this” to as many potentially receptive ears as possible. Word tends...
A deeper look at the grooves pressed into TK and The Holy Know Nothings’ The Incredible Heat Machine LP. It isn’t always easy for this writer to get into country music (there often has to be a “alt-country” plank in the floor to make it easier to enter on), but it didn’t take me long to find my way to relishing the music on The Incredible Heat Machine – TK and The Holy Know Nothings’ sophomore full-length album. From note...
A deeper look at the grooves pressed into Plizzken’s …And Their Paradise Is Full Of Snakes LP. The fact of the matter is that, in punk circles, no one wants to be a “middle of the road” kind of band. Why? Well, as Dwight Eisenhower once said, “The middle of the road is all the usable surface. The extremes, right and left, are in the gutters,” and it is in those gutters (or teetering on the brink of them) where...
A deeper look at the grooves pressed into Blood Lemon’s self-titled debut album. The beauty of great music – I mean truly great and timeless music – is that while listeners will feel as though they can easily pick out aspects of what they’re hearing and place it among other excellent or classic works, they’ll also breathlessly enthuse about how original that album is too. Listening to Blood Lemon’s self-titled debut album is just exactly like that; from note one,...
A deeper look at the grooves pressed into the clear, colorless 2LP pressing of 5EPs by Dirty Projectors. From the very first instant I heard the music contained on 5EPs by Dirty Projectors, the clear and colorless 2LP set gave me pause. True, I had heard the group’s music before (the first album I heard was Swing Lo Magellan in 2012, and it really won me to the band’s banner), but 5EPs featured a sound so captivating that, the first...
A deeper look at the grooves pressed into the Oi – 40 Years Untamed compilation from Pirates Press Records. I confess that, when I first heard the punk subgenre known simply as Oi!, it was pretty far from my favorite thing. At the time, the music just didn’t seem to be too interesting to me – and it didn’t help that a couple of my friends insisted on playing Dropkick Murphys’ “Barroom Hero” constantly – often dedicating it to another...
A deeper look at the grooves pressed into the Agricultural Tragic LP by Corb Lund. It’s genuinely hard to believe that Agricultural Tragic is Corb Lund’s tenth full-length album (fifth for New West). Since first appearing in 1995, the Alberta-based band has maintained a release schedule which has managed to illustrate consistent growth and improvement on a timeline which it’s almost possible to set one’s watch to. Not only that, when fans hear that Corb Lund has a new album...
A deeper look at the grooves pressed into the Crash Test Kid LP by Sammy Brue. After releasing a debut album which, while obviously ambitious, ultimately yielded results which were “just okay” followed by an EP that revealed a greater-than-average Blind Melon influence, Sammy Brue clearly upped his dose of Fuckitol, just cut loose and bravely elected to just have fun when it came to making Crash Test Kid. Through the eleven cuts on his sophomore LP, Brue lets each...