A deeper look at the grooves pressed into the “Goodbye Love” LP by Dirty Fences. After taking four years to let their sound season with the help of regular touring and new releases (it’s really easy to chart the development Dirty Fences has undergone between their debut album, Too High To Kross, and their sophomore effort, Full Tramp), there’s no question in listening to “Goodbye Love” that the band has arrived and are ready to take over the world. This...
A deeper look at the grooves pressed into the Chew LP by Muskets. As bands like Able Baker Fox, Into It. Over It., Citizen and Tiger’s Jaw have appeared (or reappeared, in some cases), discussions around the re-emergence of emo have become a discussion point, but longtime fans have been very, very careful to get on board with it, to this point. A lot of that has to do with the fact that fans know this has been a thing...
A deeper look at the grooves pressed into the Full Circle split LP by Round Eye and Libyan Hit Squad. After I discovered Round Eye with the help of the band’s self-titled LP a couple of years ago, I was hooked. Like a fan of any band, I began singing the group’s praises to anyone who would listen; I talked about the band, I wrote about them and I listened to that first album constantly. I loved it – I...
A deeper look at the grooves pressed into the Good Night Tomorrow LP by NEEDLES//PINS. Such occurrences are rare, but sometimes all the tumblers align and a band doesn’t just produce the best damned music of its career, that music happens to get released in just the right place at the right time that the music catches a large amount of attention. There are too many variables at work to try and plan something like that; it pretty much has...
A deeper look at the grooves pressed into the Unclean 7” by Tough Age. After they’ve gone through all three songs which comprise Tough Age’s new Unclean 7”, listeners may find that they need to take a moment and collect themselves – I certainly did. I needed to step back and collect myself because I had no particular desire to just spill ink and compliments all over a page; true, all three songs are great and effortlessly called out the...
A deeper look at the grooves pressed into the Vine LP by Jen Gloeckner. Anyone who has ever gone to therapy knows that it can take years to accurately qualify, articulate and compartmentalize feelings like anger, resentment, isolation, love, affection, confusion and emotional unease and then begin to deal with them in a healthy manner. It’s all a process and, in that regard, Jen Gloeckner has arrived miles ahead of the game on her third album, Vine; after having slugged...
A deeper look at the grooves pressed into the We All Want The Same Things LP by Craig Finn. Saying that some musicians are just natural-born rock phenomena might sound unbelievable on the face of the statement, but let’s be honest – some rock singers/frontmen were built for the job and could not easily be seen doing anything else. Where else, for example, could anyone imagine seeing Jeff Tweedy or Neil Young but at stage centre in front of a...
Murray McLauchlan Love Can’t Tell Time (True North Records) When your body of work spans nineteen albums released over a 46-year period, it’s obvious that your love affair with music is a lifelong one. Such is really the only way it could be possible to take Love Can’t Tell Time, Murray McLauchlan’s newest release – by the singer’s own admission, the album is, “A great collection of songs I love to play when I have no other agenda than just...
A deeper look at the grooves pressed into Stadium Way’s self-titled 7” EP. While the idea of the members of punk bands starting side projects in order to express ideas which won’t fit the form of their main band is not a new one, few side projects in recent memory are quite as compelling as Stadium Way. Formed by Matt Henson and Kenny Dirkes as a getaway from their duties as bassist/singer and drummer in rough housing punk band Noi!SE,...
The Descendents Hypercaffium Spazzinate (Epitaph Records) The differences in the performance and presentation of Hypercaffium Spazzinate from every other Descendents album are subtle but evident from the moment “Feel This†screeches in to open the album. There, while the tempo of the drums and guitar are precisely at the speed fans would expect them to be (at that of an over-caffeinated blur, of course), the tone in Milo’s voice has changed to reflect a different demeanor from that of any...