A deeper look at the grooves pressed into the Growin’ Up LP by Luke Combs. I confess that it took a few days of listening to Luke Combs’ third album, Growin’ Up, constantly in hopes of finding a lede into the music before I finally found one which explained why I liked it as much as I do. I mean, the lyrics about hometown kicks aren’t terribly new or unique, and the performances are about as orthodox as it’s possible...
A deeper look at the grooves pressed into the I Love You and I’m Sorry LP by Jacob Brodovsky. I started trying to write a review of Jacob Brodovky’s debut album, I Love You and I’m Sorry, six times before finally electing to do what the album does and just opening with a bit of candor: on my first play through the album, I was absolutely blown away. I knew I liked it, all I had to do was find...
A deeper look at the grooves pressed into TK and The Holy Know Nothings’ The Incredible Heat Machine LP. It isn’t always easy for this writer to get into country music (there often has to be a “alt-country” plank in the floor to make it easier to enter on), but it didn’t take me long to find my way to relishing the music on The Incredible Heat Machine – TK and The Holy Know Nothings’ sophomore full-length album. From note...
A deeper look at the grooves pressed into the Vespa & Londonians 12” EP by Booze & Glory. Remember back in the early aughts when Fearless Records compiled a series of albums which found some genuinely great punk bands covering a multitude of different artists and genres – recasting them all in a punk context? Some of those covers were actually really, really cool (hearing AFI perform Guns N’ Roses’ “My Michelle” was pretty cool, as was Strike Anywhere’s cover...
A deeper look at the grooves pressed into Grade 2’s Graveyard Island: Acoustic Sessions 12” EP. As someone wise once said, “Life is what happens while you’re making other plans,” and no punk band is making the best of a bad situation more than Grade 2 has, lately. The band had to put the promotional efforts behind their Epitaph debut album, 2019’s Graveyard Island, on hold when the CoVid-19 pandemic caused all touring routes to shut down indefinitely a couple...
A deeper look at the grooves pressed into the Exit Wounds LP by The Wallflowers. Who wouldn’t love to be Jakob Dylan? Since first appearing with The Wallflowers in 1992, Dylan has kept a “when I feel like it” mentality about his schedule of new releases (seven albums in twenty years – with nearly decade-long breaks along the way – is the definition of “when I feel like it”) and gotten away with it because he happens to be a...
A deeper look at the grooves pressed into the 4LP reissue of Since I Left You by The Avalanches. While I have serious reservations about a reissue which features enough remixes to occupy half of the medium into which the title is pressed (the 4LP reissue of Since I Left You presents the album pressed into two LPs, and features enough remixes to fill another two LPs), there is absolutely no way to deny the influence of The Avalanches’ first...
A deeper look at the grooves pressed into Territories’ “Short Seller” CD Record. On paper, my mind wobbled at the idea of this release. “This is a playable vinyl record made using a CD press,” proclaimed the press release which accompanied my review copy of Territories’ “Short Seller” CD Record. “CDs are dead. Long live vinyl.” While I was curious right away, I was also hesitant. History had taught me that any new music format – no matter how good...
A deeper look at the grooves pressed into the Holger Danske LP by The Old Firm Casuals. After a solid amount of time up on blocks (the band’s debut album was released in 2014 and, while there have been a couple of splits and a couple of EPs, demands for something more substantial have gone unanswered), a recent reissue campaign renewed interest in The Old Firm Casuals (a.k.a. Singer/guitarist Lars Frederiksen’s “other” band, beyond Rancid) and so they’ve answered that...
A deeper look at the grooves pressed into the Porterhouse vinyl reissue of the Saturation LP by Urge Overkill. Quick history lesson: By 1992, Urge Overkill had already established itself both in the fairly unforgiving Chicago music scene and on the North American college radio circuit with the help of albums like Americruiser and The Supersonic Storybook. Not only that, the band had cut a fairly striking and peerless image; unlike so many other alt-rock groups who preferred to mix,...