A deeper look at the grooves pressed into the Dumb & In Luv LP by Suzi Moon. After having released two EPs in the last sixteen months, it’s unlikely that fans expected a full-length album to be forthcoming from Suzi Moon – but the even greater surprise is just how incredibly good Dumb & In Luv is. Where the EPs hinted at some solid gutter-rock power, Dumb & In Luv goes a couple of steps further and reveals Moon’s potential...
A deeper look at the grooves pressed into the LP+CD reissue of Live! by The Dils. While plenty of punk bands have been well exposed since the public became interested in learning about the early days of the L.A. punk scene (X’s catalogue has been reissued by Fat Possum Records, Porterhouse reissued (MIA) by The Germs and other labels have reissued titles by The Avengers, The Bags and The Runaways too), the truth is that giving all of the talent...
A deeper look at the grooves pressed into the Lunatics EP by The Drowns. It would be easy enough to curse The Drowns out for what the band has done with the Lunatics EP. Not unlike what innumerable other acts have done, over the years (Hot Water Music, NOFX and John Lennon all leap to mind), The Drowns have elected to take a moment that they’re capable of stretching out from their musical comfort zone (which has tended to stay...
Sellout: The Major-Label Feeding Frenzy That Swept Punk, Emo, and Hardcore (1994–2007)by Dan Ozzi Punk rock has come full circle. It started with a feeding frenzy from the major labels wanting to cash in on the movement/music in the 70s (remember, the Clash were on CBS Records and the Ramones on Sire, which is technically Warner Brothers), then became reviled by the mainstream, and now it’s back on the yacht (comfortably solidifying its place as hackneyed when the Met Gala...
A deeper look at the grooves pressed into the reissue of The Lorrainas’ Party ‘Til It’s Dark LP. Sure, this vinyl reissue of Party ‘Til It’s Dark – The Lorrainas’ first and only full-length studio album – may seek to re-introduce material which is now seventeen years old, but anyone who hears it will excitedly admit that the music sounds one hundred per cent fresh; after the rush of endorphins which come with the music initially begin to fade. The...
A deeper look at the grooves pressed into the You’re Class, I’m Trash LP by The Monsters. Arguably the greatest compliment one can pay to a punk record is not to call it “good” or “great” or anything like that (because such terms can be – and have been – dismissed as a matter of opinion or as a matter of perception), but to simply exclaim, “You’ve gotta hear this” to as many potentially receptive ears as possible. Word tends...
Vicious DreamsSelf-titled Get ready, dear readers because this is one of the good ones. It’s tough getting music recommendations, because most of the time, people don’t know what they’re talking about. So, when I made up a pile of compelling music to go through my ears perked up when Vicious Dreams came on. I was expecting music that might sound like contenders to put on my heavy rotation, not something that I immediately fell in love with. I had to...
A deeper look at the grooves pressed into Plizzken’s …And Their Paradise Is Full Of Snakes LP. The fact of the matter is that, in punk circles, no one wants to be a “middle of the road” kind of band. Why? Well, as Dwight Eisenhower once said, “The middle of the road is all the usable surface. The extremes, right and left, are in the gutters,” and it is in those gutters (or teetering on the brink of them) where...
WHO: Vicious Dreams WHAT: Selftitled WHY: We try to stick to the newest releases on the Spotlight column, but this album is just too good to pass up. Vicious Dream’s Selftitled sounds like the Rezillos but louder, snottier, faster, and tighter. Vicious Dreams tread’s the thin line between threatening and fun, like a rollercoaster ride. Except this one goes on for 30 minutes and will leave you wanting more. Hear it on...
A deeper look at the grooves pressed into the Confines Of Life LP by Neighborhood Brats. I confess that I spent most of my first play through Confines Of Life, Neighborhood Brats’ third full-length album (and my first exposure to the band), just trying to figure out where to start with it. Somehow, it just wasn’t easy to effectively catch or contain the band; from note one of “Who Took The Rain” (which opens the album’s A-side), the band is...