A deeper look at the grooves pressed into the “Best Of The Best” b/w “45” seven inch single by Roadside Bombs. It’s pretty uncommon for a punk band to publicly praise a music journalist (not that it never happens, just that it doesn’t happen regularly) so when Roadside Bombs doesn’t just praise a critic, they put his face on the A-side of a single and publicly promote him as being “The Best of The Best,” it begs attention.The critic in...
A deeper look at the grooves pressed into the “Wake Up” 7” single by The Complicators. Now that punk rock has gone around the block a few times and collected little generic influences like a lint brush, it’s understandable how some fans may be hard-pressed to recognize it anymore. That’s why a release like The Complicators’ “Wake Up” 7” is so refreshing though; it grunts, it grinds and it stomps but, most importantly, it sticks to the core tenets that...
A deeper look at the grooves pressed into Harrington Saints’ “Red State” 7” single. It’s not uncommon for punk bands to tackle political subject matter, but it is unusual to hear the language of Republican politics appear in a punk song. That’s what makes the title track from Harrington Saints’ newest 7”, “Red State,” so compelling; while the song itself is not actually “red,”it utilizes the language as a discussion point in order to uncover the politics and psychology of...
A deeper look at the grooves pressed into This Means War’s self-titled 10” EP. The catch, when it comes to trying to be in a good melodic hardcore band, is that trying to navigate the waters of punk rock is fraught with risk because the region is so over-populated. Unfortunately, there are lots of “melodic hardcore” bands which aren’t particularly melodic (read: the singer can’t carry a tune on his back) and aren’t exactly poster boys for hardcore either, for...
A deeper look at the grooves pressed into the Blau Sang Vermell Cel LP by CRIM. The catch, when it comes to working within any pop music-based form (and, as inconvenient as it is to say, punk rock definitely falls into that category), is that language plays a key role in the music’s accessibility. Simply said, if a band’s not speaking the mother tongue of the country they’re playing to, they’ve already alienated a fairly an impressive portion of its...
A deeper look at the grooves pressed into Stadium Way’s self-titled 7” EP. While the idea of the members of punk bands starting side projects in order to express ideas which won’t fit the form of their main band is not a new one, few side projects in recent memory are quite as compelling as Stadium Way. Formed by Matt Henson and Kenny Dirkes as a getaway from their duties as bassist/singer and drummer in rough housing punk band Noi!SE,...
A deeper look at the grooves pressed into the “War On Love” 7” single by Roadside Bombs. It might not be for everyone but, for me, some of the coolest things to hear are those which crosswire a few different sounds and styles which feel as though they should stand at odds with one another. A perfect example of such an unusual stylistic counterpoint can be found on Roadside Bombs’ new single, War On Love; pressed on “super” cyan blue...
A deeper look at the grooves pressed into the Blatant Propaganda LP by The Bar Stool Preachers. It’s pretty incredible how much a band seems to change as soon as people start paying attention to them and their fanbase swells. History is littered with band who seemed not to change for years as they attempted to get legs under them (see Social Distortion, Against Me, Black Flag, Bad Religion and Rise Against – to name only the first which leap...
A deeper look at the grooves pressed into Bum City Saints’ self-titled LP. While some critics may claim that an album or artist being “derivative†is a negative trait, that’s not always true – in the right context. Sometimes, the right sequence of sonic elements can align and instantly throw listeners listener back into the mindset which they had perceived to have long forgotten; it can be exhilarating and comforting all at the same time, no matter how aggressive the...
A deeper look at the grooves pressed into the diecut “Carry On” single by Booze & Glory The catch about the genre that’s affectionately known as “street punk†is that those who make the music often do not make it for very long. The reason for that is simple: street punk is impoverished by nature – the best of the genre is made by penniless players who are making music either to entertain themselves or their friends – and loses...