A deeper look at the grooves pressed into Naked Giants’ The Shadow LP. While it’s not terribly uncommon for a band to make great creative changes in their sound and style unexpectedly throughout their career, the knowledge that such events can happen still doesn’t exactly explain the arc that Naked Giants have taken which ultimately brought the band to The Shadow – the group’s second full-length album for New West Records (third for the label). When the band started (in...
A deeper look at the grooves pressed into the Crash Test Kid LP by Sammy Brue. After releasing a debut album which, while obviously ambitious, ultimately yielded results which were “just okay” followed by an EP that revealed a greater-than-average Blind Melon influence, Sammy Brue clearly upped his dose of Fuckitol, just cut loose and bravely elected to just have fun when it came to making Crash Test Kid. Through the eleven cuts on his sophomore LP, Brue lets each...
A deeper look at the grooves pressed into the Ghosts of West Virginia LP by Steve Earle and The Dukes. I confess that – for a variety of reasons, many of which are not rooted in rational or critical thinking – I have never really given Steve Earle a whole lot of my time. Some of that has to do with the politics and soapboxes, but suffice it to say that it has just never happened; I’ve never walked up...
A deeper look at the grooves pressed into the Rock Bottom Rhapsody LP by Pokey LaFarge. Listening to Pokey LaFarge’s ninth album (first for New West Records, and first I had ever heard) had a very strange effect on me. I knew the sound had me interested right away but, before even the A-side if the album had played through, I had already picked up my laptop and found out everything I could about the band. I looked up all...
A deeper look at the grooves pressed into All Them Witches’ Nothing as the Ideal LP. Over the last five years or so, I’ve become acquainted with Nashville’s All Them Witches; reviewed a couple of their albums and gotten to feel like I know the band – or at least know what to expect from them from album to album. I figured I knew, for example, that their psychedelic/classic rock amalgam would end up being a consistent thread through the...
As good or remarkable as any band could eventually prove themselves to be, history has proven conclusively that it’s truly rare for any band to arrive that way (see Nirvana, Ween, Wilco, etc. for examples of bands which developed over time) out of the proverbial box. In that regard, The Glands were no exception; when they started, this little band from Georgia was a perfectly average-at-best band, drawing inspiration from punk and college rock. They produced music of a quality...
A deeper look at the grooves pressed into The Slackers’ 12″ UV digitally printed vinyl single. Ignoring the, “Gee whiz!” quality of The Slackers’ new single as well as the talking point of, “Well, this is a new way of combining digital and analogue formats into one release,” (rather than being pressed, this release is UV digitally printed vinyl) it needs to be pointed...
A deeper look at the grooves pressed into the 2LP Deluxe Edition reissue of Sirens of the Ditch by Jason Isbell. It’s pretty uncommon for me to wonder where I was when I review a reissue of an album which was originally released after 2002 (a.k.a. The year I joined the press). That is not to say there weren’t great albums that I didn’t get my hands my hands on to review them when they were new, it’s simply something...
A deeper look at the grooves pressed into the “Green Fuzz” 10” single by Naked Giants. After releasing their debut album, Sluff, in 2018, even the softest, newest and least tested critics figured they had Naked Giants’ career path pegged and charted. They figured that a future full of odd, poppy, rocky and fairly danceable music was in the cards for this band, until such time as tastes shifted and then the group would just implode under the weight of...
A deeper look at the grooves pressed into the Finally Free LP by Daniel Romano. After first appearing in front of a hardcore band about fourteen years ago, Daniel Romano has taken personal delight in jumping from music genre to music genre with an impunity which proved to be incredibly infectious. From hardcore to folk to country to rock and innumerable hybrids of all those sounds, Romano has proven to have a golden touch almost as pure as David Bowie’s...