Mike

A deeper look at the grooves pressed into the 30th Anniversary 2LP reissue of Dirt by Alice In Chains. While there are plenty of deluxe reissue versions of classic albums on the market at the moment (including of Dirt, actually; there are multi-disc sets of the album which include enough 7” singles to contain all the songs on the album’s hype sticker, and then some), that Alice In Chains has also released a version of Dirt without any bells or...

A deeper look at the grooves pressed into the Culture Shock Treatment LP by Round Eye. It may have taken a while for the band to finally get all the paperwork signed and all of their distribution ducks in a row (technically, Culture Shock Treatment was completed in 2020 and Paper + Plastick Records released it digitally late last year – but then everything got problematic) but, happily, everything has come together and Round Eye’s fourth album has finally been...

A deeper look at the grooves pressed into the Working With God LP by The Melvins. It has long gone overlooked and under-reported (maybe because they’re from Washington State, maybe because they first gained popular notice with the waves of alt-rock and grunge bands of the Nineties – there’s any number of possible explanations), but the fact is that the members of The Melvins are actually pretty funny guys. Each of them has a really good sense of humor. Each...

Round EyeCulture Shock Treatment(Paper + Plastick Records) Fuck this year. 2020 has proven to be the most disappointing annum in many regards but, perhaps most importantly (at least within the goings on for this website), 2020 has gone down as the year which stalled the releases of an impressive number of albums, completely halted all touring routes through North America and diverted attention from most of the things people take pleasure in – and seen it be refocused on despicable...

A deeper look at the grooves pressed into the Revolution Radio LP by Green Day. Some smart aleck is going to say that this review is a bit late in coming (yes, Revolution Radio was released fourteen months ago) but that’s part of the point here; Green Day’s twelfth album was touted as a much-needed return to the band’s roots after almost a decade spent releasing concept albums and enormous album trilogies (plus a fourth CD/DVD conglomerate for good measure)....

A deeper look at the grooves pressed into the 2LP edition of Ring Spiel ’95 by Mike Watt. As many Ground Control readers are already aware, we have a particular affinity for vinyl records. The sound of them is (obviously) a very big part of that, but the medium’s ability to draw out different aspects of the music contained on it can change the listening experience too; because vinyl has a few more limitations than other media on which music...

Artist: Mike Watt Album: “Ring Spiel” Tour ’95 Label: Columbia/Legacy/Sony Music Ever walked into a record store and, digging through a vast and vastly disorganized bin of CDs, come across a genuine treasure of the sort that no one ever expects to find? That was the feeling which overtook me when I opened my copy of “Ring Spiel” Tour ’95. Now, I’m familiar with plenty of the back story behind that period of time in Mike Watt’s life; the bassist...

Artist: Green Day Album: Revolution Radio Label: Reprise/Warner It will probably sound strange to the legions of fans that Green Day has won in the years since the release of American Idiot (let’s be honest – the band now has some supporters who are too young to remember when Kerplunk! was released), but the first words which will cross the minds of fans who were at least tall enough to get into the Gilman when Dookie blew up as they...

Artist: Mike Doughty Album: Haughty Melodic (CD reissue) Label:ATO Records I must preface this review by saying that I have been a Mike Doughty fan for an incredibly long time. I first became a fan when I discovered Soul Coughing; at that time, I had grown tired of grunge’s (by then) floundering, poor self-image (the genre as a whole really had difficulty regaining its strength and composure after the death of Kurt Cobain) and was looking for something which was...

R.E.M. Monster (Warner Bros., 1994) To this day (now) twenty-two years after it was originally released, R.E.M.’s ninth album, Monster, still feels like it should have been a risky record for the band to make. By then, the band had long since broken through the glass ceiling between the underground and the mainstream; they had become patron saints of the thinking man’s end of college rock (which later got annexed by alt- and is currently a province of the indie...