A deeper look at the grooves pressed into the Penumbra//Antumbra 12” single by Garbageface. If history has taught us anything about Karol “Garbageface” Orzechowsky, it has taught us that the artist takes a lot of joy in turning expectations that fans may have of him on their collective head – and the emcee’s newest 12” single, Penumbra//Antumbra, upholds that practice with focused intensity. The single effortlessly upends expectations; where convention demands a consistent structure through a song – there needs...
A deeper look at the grooves pressed into the Dymaxion LP by Garbageface x Wolfagram. Over the last few years, Karol “Garbageface” Orzechowski has used a laptop, a few instruments and a prodigious amount of talent to expand the vocabulary of electronic music, and really gone out of his way to both force change and re-arrange some musical conventions and paradigms. Watching his body of work unfold, (particularly N0 FUTUR(E) and Apostasy) has been nothing short of hypnotic, in fact;...
A deeper look at the grooves pressed into the Apostasy LP by Garbageface X Yung Gutted. Anyone who is already familiar with Karol “Garbageface” Orzechowski’s output knows the emcee has a pretty dark and potentially violent disposition (2016’s NØ FUTUR(E) 7” illustrated that really well), but he’s really stepped up his game on Apostasy with the help of NYC producer Yung Gutted. This time the movement is exponentially slower; in print, readers may assume the music is more methodical in...
A deeper look at the grooves pressed into the NØ FUTUR(E) 7” by Garbageface. For the release of his new album, Karol “Garbageface†Orzechowski has decided to challenge the usual methodology and manner in music is released. His way flies in the face of how music has been marketed ever since Napster turned the music business back into a singles-driven enterprise again; while everyone else is digitally distributing singles into the world and hoping they’ll entice those who find them...