A deeper look at the grooves pressed into the Porterhouse Records-pressed, 45th Anniversary reissue of the Teen City EP by The Modernettes. Isn’t it funny how, in punk rock, being known for only a couple of songs can still make a band superstars? It’s funny, but it’s true – really, Vancouver’s Modernettes have a catalogue which includes just one full-length album (1981’s Gone… But Not Forgiven) and two EPs (1980’s Teen City and 1982’s View From The Bottom), but the...
A deeper look at the grooves pressed into the Guide Me Back Home 3LP by City and Colour. I must confess that most regularly, live albums don’t thrill me. City and Colour albums do not often thrill me either, for that matter (long story short, while I was a big fan of Alexisonfire back in the day, I found the first two City and Colour albums staggeringly overwrought); I don’t know that I’d call my distaste for the band absolute...
A deeper look at the grooves pressed into Bum City Saints’ self-titled LP. While some critics may claim that an album or artist being “derivative†is a negative trait, that’s not always true – in the right context. Sometimes, the right sequence of sonic elements can align and instantly throw listeners listener back into the mindset which they had perceived to have long forgotten; it can be exhilarating and comforting all at the same time, no matter how aggressive the...